A touching depiction of the pain of grief.
Tallie was driving with only a learner’s permit the night that her brother, Nate, died in a car crash.
Holding the pieces of her life together is hard when no one, from her parents and teachers to her lifelong friends, knows how to act around her. The first one to break through her isolation is a quirky girl named Mel, who makes taxidermy art and who’s been Tallie’s “companion in limbo” since the accident. Then she meets Chase, a new boy in their small town who creates memorials for people he finds in obituaries. More than anything, Tallie wants to get back to normal. Small rituals help her cope with her guilt, as does working her way through the playlist on her brother’s MP3 player. Song titles serve as chapter headings, reflecting the puzzle of Tallie’s life. The discovery that her parents donated Nate’s organs is a major blow, and in a secret, desperate attempt to hold onto Nate, Tallie tries to find the recipients. Barnaby slowly reveals the cracks in Tallie’s emotional veneer through a well-crafted internal monologue. Tallie’s vulnerability shows in her inability to say her brother’s name aloud and in the way she avoids connecting with her family and friends as she struggles to pick up the pieces and move on.
A touching depiction of the pain of grief. (Fiction. 12-18)Pub Date: Feb. 16, 2016
ISBN: 978-0-553-53963-9
Page Count: 304
Publisher: Knopf
Review Posted Online: Nov. 2, 2015
Kirkus Reviews Issue: Nov. 15, 2015
A treat for mystery readers who enjoy being kept in suspense.
Everyone believes that Salil Singh killed his girlfriend, Andrea Bell, five years ago—except Pippa Fitz-Amobi.
Pip has known and liked Sal since childhood; he’d supported her when she was being bullied in middle school. For her senior capstone project, Pip researches the disappearance of former Fairview High student Andie, last seen on April 18, 2014, by her younger sister, Becca. The original investigation concluded with most of the evidence pointing to Sal, who was found dead in the woods, apparently by suicide. Andie’s body was never recovered, and Sal was assumed by most to be guilty of abduction and murder. Unable to ignore the gaps in the case, Pip sets out to prove Sal’s innocence, beginning with interviewing his younger brother, Ravi. With his help, Pip digs deeper, unveiling unsavory facts about Andie and the real reason Sal’s friends couldn’t provide him with an alibi. But someone is watching, and Pip may be in more danger than she realizes. Pip’s sleuthing is both impressive and accessible. Online articles about the case and interview transcripts are provided throughout, and Pip’s capstone logs offer insights into her thought processes as new evidence and suspects arise. Jackson’s debut is well-executed and surprises readers with a connective web of interesting characters and motives. Pip and Andie are white, and Sal is of Indian descent.
A treat for mystery readers who enjoy being kept in suspense. (Mystery. 14-18)Pub Date: Feb. 4, 2020
ISBN: 978-1-9848-9636-0
Page Count: 400
Publisher: Delacorte
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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