Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses...
This tan-skinned, freckle-faced narrator extols her own virtues while describing the challenges of being of mixed race.
Protagonist Lilly appears on the cover, and her voluminous curly, twirly hair fills the image. Throughout the rhyming narrative, accompanied by cartoonish digital illustrations, Lilly brags on her dark skin (that isn’t very), “frizzy, wild” hair, eyebrows, intellect, and more. Her five friends present black, Asian, white (one blonde, one redheaded), and brown (this last uses a wheelchair). This array smacks of tokenism, since the protagonist focuses only on self-promotion, leaving no room for the friends’ character development. Lilly describes how hurtful racial microaggressions can be by recalling questions others ask her like “What are you?” She remains resilient and says that even though her skin and hair make her different, “the way that I look / Is not all I’m about.” But she spends so much time talking about her appearance that this may be hard for readers to believe. The rhyming verse that conveys her self-celebration is often clumsy and forced, resulting in a poorly written, plotless story for which the internal illustrations fall far short of the quality of the cover image.
Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses the mark on both counts. (Picture book. 4-6)Pub Date: Sept. 14, 2018
ISBN: 978-1-63233-170-0
Page Count: 32
Publisher: Eifrig
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
The kimonos in this title are shown on “creative” (non-traditional) Kokeshi that have evolved from their origins as stickers...
Kokeshi, northern Japanese wooden folk dolls, are painted with differently designed kimonos that denote the area in which they are made and form the inspiration for this pretty novelty.
The kimonos in this title are shown on “creative” (non-traditional) Kokeshi that have evolved from their origins as stickers in France. (Their images are also produced on notecards and journals.) A stilted text, translated from French, accompanies these commercialized, cartoon-like images. The glossy, heavy stock, saturated with a sophisticated palette of black, brown, maroon, bluish-gray and green, teems with kawaii kokeshi— “super cute little wooden dolls”—who talk and act like contemporary little girls. Readers are invited to find the right sash, fan and hair bow to match Kimiyo’s outfit. They locate Yumi’s apartment by lifting the flap that matches her sash. A large gate-fold page reveals Yumi’s family members and another game that involves matching designs to determine her maternal and paternal families. A schoolroom scene shows the days of the week, both in transliteration and in Japanese characters. There are more words to learn when a star (hoshi), a rabbit (usagi) and a pair of socks (tabi), among other objects, serve as inspiration for funny hairstyles that appear when a die-cut page turns.Pub Date: Sept. 1, 2011
ISBN: 978-1-4521-0493-5
Page Count: 32
Publisher: Chronicle Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
Devoid of energy, but greeting-card pretty.
A candy-colored version of the classic tale completely lacks teeth and claws.
The three little pigs’ widowed mother sends them out into the world to make their way. The first, carrying his guitar on his back, begs a kind man for the straw he carries and builds himself a nice little house. The wolf comes by, the predictable conversation ensues and the piggy escapes. The second pig carries his brushes and papers, asks a kind man for some sticks and builds a place with an easel en plein air. The house has a convenient back door, so he too escapes when the wolf does his thing. The third pig, carrying his tools, is clearly into construction; his carefully built brick house (bricks a gift of a third kind man) is gorgeous. The wolf tries the chimney, is smoked out and runs away, the third pig collects his mom and siblings and they live happily ever after. Sunny colors and lots of cute details make for pleasant page-turning: Pig number two sits reading a version of Little Red Riding Hood in the last scene, possibly trying to track down the latest venue of the wolf.
Devoid of energy, but greeting-card pretty. (Picture book/fairy tale. 4-6)Pub Date: Feb. 1, 2012
ISBN: 978-0-7358-4058-4
Page Count: 32
Publisher: NorthSouth
Review Posted Online: Dec. 2, 2011
Kirkus Reviews Issue: Dec. 15, 2011
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
