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GONE, GONE, GONE

A complete miss from an otherwise solid author.

The Beltway sniper shootings and the attacks of 9/11 become the crucible for this exploration of teenage grief and love.

Thirteen months after the 9/11 attacks, 15-year-old Craig wakes up to find that his menagerie of five cats, four dogs, three rabbits, a bird and a guinea pig have all escaped. Meanwhile, Lio, also 15, is using his therapy sessions to explore his feelings for Craig instead of dealing with the death of his twin brother from leukemia. Hunting for the animals, the teens end up arguing over the destruction of the World Trade Center, the damage to the Pentagon and the peculiar allocation of the country's collective grief. Enigmatic characters, emotional manipulation and the convoluted plot keep Moskowitz’s third novel from achieving the impact of her previous works (Invincible Summer, 2011, etc.). Craig is an especially remote character, with somewhat autistic mannerisms, and it's difficult to relate to him through either inner and or interpersonal dialogue. His relationship with Lio is not so much developed as forced. There’s no skill in the treatment of these two high-profile tragedies; they both come across as cheap emotional touchstones rather than opportunities to honestly explore grief, loss and shared sorrow. What with the lost pets, the unclear relationship Craig has with his ex-boyfriend, a suicide hotline and dead siblings, there’s simply too much going on.

A complete miss from an otherwise solid author. (Fiction. 14 & up)

Pub Date: April 17, 2012

ISBN: 978-1-4424-0753-4

Page Count: 272

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: Feb. 4, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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