by Harlan Coben ‧ RELEASE DATE: March 19, 2019
In seeking to extend his formidable range, Coben overreaches: the far-flung complications feel forced and schematic rather...
A Manhattan money manager who once had it all is threatened with losing most of it in Coben’s latest greased-lightning domestic thriller.
Things haven’t been that great for Simon Greene ever since his daughter, Paige, dropped out of college and disappeared. But his world turns much darker the day that, following a tip, he sees her playing guitar in Central Park and tries to talk to her. Paige, clearly strung out on drugs, takes off, and the closest Simon comes to catching her is punching her companion, junkie Aaron Corval, in the face. His attack, captured on the phone videos of passers-by, goes viral, and he’s rebuked by millions of strangers. Three months later, Bronx Homicide Detective Isaac Fagbenle turns up in Simon’s office asking questions about the murder of Aaron, who vanished instead of sticking around to press charges. Simon and his pediatrician wife, Ingrid, go to visit the crime scene in the hope of picking up Paige’s trail, and moments after one of Aaron’s scuzzball neighbors warns them, “Even if you find her, this story won’t have a happy ending,” bullets fly, sending Ingrid to the hospital in a coma. Meanwhile, Chicago PI Elena Ramirez is hired to find the missing adopted son of wealthy Sebastian Thorpe III, and a mysterious pair named Ash and Dee Dee are executing a laid-off meat packer in Boston and a tattoo artist in suburban New Jersey. Clearly all this mayhem is somehow connected, and readers spoiled by Coben’s long history of triple-barreled thrillers (Don’t Let Go, 2017, etc.) will be turning the pages with bated breath. But the broadly hinted connection, a Maine religious commune to which Dee Dee professes undying loyalty, is more cartoonish than compelling, and the alternating chapters recounting the investigations of Simon and Elena dilute the suspense instead of intensifying it. By the time the double-twist payoff arrives, fans will be torn between dissatisfaction and relief.
In seeking to extend his formidable range, Coben overreaches: the far-flung complications feel forced and schematic rather than nightmarish. Wait till next year.Pub Date: March 19, 2019
ISBN: 978-1-5387-4846-6
Page Count: 384
Publisher: Grand Central Publishing
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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by J.A. Jance ‧ RELEASE DATE: April 2, 2019
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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by Karin Slaughter ‧ RELEASE DATE: Sept. 29, 2015
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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