Warm recollections of a singular literary life.

THE BRIGHT BOOK OF LIFE

NOVELS TO READ AND REREAD

An erudite critic recounts the pleasures of rereading.

In his latest posthumous literary memoir, eminent critic and scholar Bloom (1930-2019) remarks on the fresh insights and renewed joys that awaited him when, nearing the end of his life, he reread 48 novels. Organized chronologically—from Don Quixote, published in 1615, to Joshua Cohen’s Book of Numbers, published 400 years later—the essays often contextualize Bloom’s readings: when, where, and why he read certain novels; what teachers and readings enriched his perceptions; and how his responses changed or remained consistent over time. Although he read Moby-Dick as a child and Dickens as a young teenager, Bloom mostly read poetry before becoming obsessed, as he puts it, with Thomas Hardy at the age of 15; through Hardy, he found his way to D.H. Lawrence, Virginia Woolf, and E.M. Forster. Bloom’s selections draw heavily on the Western canon, mostly British and European writers, including Samuel Richardson, whose Clarissa Bloom reread every other year; Jane Austen, whose Persuasion, Emma, and Pride and Prejudice all “seem equally grand”; Stendhal, whose “vision of life is rather like a masked ball or a carnival performance”; Dostoevsky, Tolstoy, and Thackeray, whose Vanity Fair Bloom first read just before starting college at Cornell. Bloom admits to having read “only twelve” of Balzac’s novels, and of Wharton’s novels, he writes about the “sinuous and disturbing” The Reef rather than her better known The House of Mirth. A fervent admirer of Ursula Le Guin, to whom the volume is dedicated, he commemorates their brief but intense epistolary friendship. He candidly analyzes what he considers a novel’s shortcomings and where he differs with other critics’ assessments. Bloom’s ardent celebration of novels is tinged with the inevitable losses of old age: illness, physical diminishment, and the deaths of friends, mentors, and colleagues. Other novels under consideration include Tom Jones, Ulysses, The Magic Mountain, To the Lighthouse, and Blood Meridian.

Warm recollections of a singular literary life.

Pub Date: Nov. 24, 2020

ISBN: 978-0-525-65726-2

Page Count: 544

Publisher: Knopf

Review Posted Online: Nov. 3, 2020

Kirkus Reviews Issue: Dec. 1, 2020

Did you like this book?

No Comments Yet

A conversational, pleasurable look into McConaughey’s life and thought.

Reader Votes

  • Readers Vote
  • 10

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

Did you like this book?

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Reader Votes

  • Readers Vote
  • 15

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

Did you like this book?

more