A fine introduction to what promises in 2013 to become a nationwide discussion.
As we near its sesquicentennial, a distinguished Lincoln scholar examines the problematic history of the Emancipation Proclamation.
On New Year’s Day 1863, Lincoln steadied himself before signing the document whose culture-changing significance he well understood: “If my name ever goes into history it will be for this act, and my whole soul is in it.” Today Lincoln’s image as “the Great Emancipator” has eroded—too politically incorrect—replaced by Lincoln the unifier, Lincoln the wise. After his death the Proclamation “soon achieved the status of holy writ.” Today it’s often dismissed as the delayed, insufficient and half-hearted act of a desperate president fearful of losing his office and the war. Holzer’s (Lincoln President-Elect, 2009, etc.) tripartite narrative deals first with the historical context of the Proclamation, laying out Lincoln’s exquisitely difficult political, legal, moral and martial calculations as he gradually widened his circle of confidants, labored to manipulate public opinion and slyly prepared the nation for his momentous decision. He spent months refining the announcement released after Antietam and steadfastly signed the promised executive order. The author then moves to a discussion of the Proclamation’s rhetorical deficiencies (Richard Hofstadter said it contained “all the moral grandeur of a bill of lading”), explains why our most eloquent president wrote so uncharacteristically and points us to contemporaneous speeches and letters for the “poetic accompaniment” to what was, after all, preeminently a legal document. Finally, Holzer turns to the iconography surrounding Lincoln and emancipation, tracing images from the early kneeling-slave, peculiarly disconcerting to modern audiences, on through to treatments by contemporary artists such as Rauschenberg, Basquiat and Kara Walker. This visual evidence effectively underscores his larger point about our troublesome, still evolving understanding of the Proclamation’s place in our history.
A fine introduction to what promises in 2013 to become a nationwide discussion.Pub Date: Feb. 27, 2012
ISBN: 978-0-674-06440-9
Page Count: 200
Publisher: Harvard Univ.
Review Posted Online: Dec. 12, 2011
Kirkus Reviews Issue: Jan. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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