Casts some light on a dark and sanguinary age. (8 pp. color illustrations, b&w illustrations throughout, not seen)

QUEEN EMMA AND THE VIKINGS

A HISTORY OF POWER, LOVE AND GREED IN 11TH-CENTURY ENGLAND

A politically savvy woman marries two English kings and gives birth to two others in the early Middle Ages.

Thousand-year-old documents are few and uniformly biased, images of the principals are rare or non-existent and the relevant buildings are long gone or much altered, but journalist O’Brien neither quakes nor vacillates as she peers back into the darkness and relates for us the compelling story of a remarkable woman who became “the wife, mother and aunt of England.” (William the Conqueror was her great-nephew.) The author begins in the spring of 1002 as the teenaged Emma is departing from her home in Normandy to marry England’s King Aethelred II. O’Brien simultaneously introduces us to her narrative technique: she launches each chapter with a fairly detailed present-tense narrative, necessarily speculative, about the events she will deal with in a more subdued and scholarly fashion in subsequent pages. The device works well, for these opening segments are invariably more engaging than the subsequent discussions of documents and other historical evidence. The 11th century was a bloody and a religious epoch, a time when Vikings raided the English coast and interior, when important men had names like Ironside and Blue Tooth and Harefoot, when people cherished the arm bones and heads of saints, when wolf’s milk was recommended to reanimate a dead baby in utero, when most people lived in squalor and ignorance and fear, when a Viking could split with his axe the head of the Archbishop of Canterbury. To her credit, O’Brien keeps the focus as much as possible on Emma as she moves from queen to widow to queen to widow to queen mother. She lived to be about 70, quite elderly for the time, and was able to look back on a varied life of riches, humiliation, suffering, subterfuge and, finally, peace.

Casts some light on a dark and sanguinary age. (8 pp. color illustrations, b&w illustrations throughout, not seen)

Pub Date: Aug. 1, 2005

ISBN: 1-58234-596-1

Page Count: 288

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2005

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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