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SHANGHAI

: COLLISION POINT OF CULTURES 1918/1939

Sparkling history of modern Shanghai, short on depth and novelty but alive with the fractious spirit of one of the world's most eclectic cities. Between 1842 and 1937, a combination of cultural excellence, foreign influence, high finance, and illicit criminality made Shanghai, according to Sergeant, ``the most international metropolis the world has ever seen.'' By 1932, three million people lived in the sectored city, divided by French, British, and American conquering agents after the Opium War. Sergeant visits this old Shanghai in two ways: from the vantage point of a disenchanted modern Westerner who now sees a ``mummified'' Shanghai, rendered ``spiritually dead'' under Communism, and through interviews with Western and Chinese survivors of the pre- Revolutionary period, who recall in vivid detail the high and wold side of former era. A British former banker, one of many who in the Thirties used Shanghai as a center of money speculation, helps to recall when Sergeant names ``the spoiling life'' of wealthy foreigners, employing Chinese servants at lavish parties and pursuing foot-bound women as exotic sexual toys. ``In pursuit of profit, the British created a corrupt, unlovely and pitiless city,'' writes Sergeant. The influx to Shanghai of White Russians fleeing Bolshevism is recounted, as are the city's own political heroes and feats. Sergeant visits the one-time home of Chinese liberator Sun Yat Sen, tracks down the quarters of Chinese political satirist Lu Xun, and recalls the powerful resistance in Shanghai to both Japanese and Nationalist assault in 1927 and again in 1937. A history of the Shanghai cinema rounds out the cross-cultural portrait. A whirlwind tour of an extraordinary place.

Pub Date: April 1, 1991

ISBN: 0-517-57025-4

Page Count: 384

Publisher: Crown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 1, 1991

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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