“I need to paint and draw every day,” explains a round-headed kid with pencil-hatched hair in this sweet, carefully composed...
Boy and dog share the utter pleasure of creating art.
“I need to paint and draw every day,” explains a round-headed kid with pencil-hatched hair in this sweet, carefully composed paean to creativity. When he paints a gray building, Barroux’s composition mimics that shape in the foreground as a table spotlighting art supplies. Swaths of textured paint and pencil lines feature throughout. Companion Louie, a white dog with a long body, long muzzle and tiny legs, insists upon being depicted in his owner’s work. After the boy leaves for school, Louie explodes from art subject to artist. In two consecutive full-bleed spreads, Louie dashes back and forth, racing through paint and leaving footprints, squeezing paint tubes and holding brushes in his mouth. He’s so busy that he appears four times on each exuberant spread, covered in splotches, streaking paint everywhere. Returning home, the boy stands atop a beige staircase and peers towards a black wall, where the studio door is propped open by a (now multi-hued) dog. The mostly unseen him background inside the studio glows with color. Louie’s chef-d'œuvre evokes Cézanne (explained in an author’s note). Only a loose close-up of the Cézanne homage actually appears, but its freely casual vibe combines with the childlike skill level of the boy’s own paintings to prevent readers from feeling insecure in their own attempts. This is about enthusiastic process, not product.Pub Date: Sept. 1, 2011
ISBN: 978-1-60905-059-7
Page Count: 40
Publisher: Blue Apple
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender...
A polar-bear parent speaks poetically of love for a child.
A genderless adult and cub travel through the landscapes of an arctic year. Each of the softly rendered double-page paintings has a very different feel and color palette as the pair go through the seasons, walking through wintry ice and snow and green summer meadows, cavorting in the blue ocean, watching whales, and playing beside musk oxen. The rhymes of the four-line stanzas are not forced, as is the case too often in picture books of this type: “When cold, winter winds / blow the leaves far and wide, / You’ll cross the great icebergs / with me by your side.” On a dark, snowy night, the loving parent says: “But for now, cuddle close / while the stars softly shine. // I’ll always be yours, / and you’ll always be mine.” As the last illustration shows the pair curled up for sleep, young listeners will be lulled to sweet dreams by the calm tenor of the pictures and the words. While far from original, this timeless theme is always in demand, and the combination of delightful illustrations and poetry that scans well make this a good choice for early-childhood classrooms, public libraries, and one-on-one home read-alouds.
Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender restrictions. (Picture book. 3-6)Pub Date: Sept. 1, 2017
ISBN: 978-1-68010-070-9
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
Willems’ formula is still a winner.
The pigeon is back, and he is filthy!
Readers haven’t seen the pigeon for a couple of years, not since The Duckling Gets a Cookie!? (2012), and apparently he hasn’t bathed in all that time. Per the usual routine, the bus driver (clad in shower cap and bathrobe) opens the story by asking readers to help convince the pigeon to take a bath. Though he’s covered in grime, the obstreperous bird predictably resists. He glares at readers and suggests that maybe they need baths. With the turn of the page, Willems anticipates readers’ energetic denials: The pigeon demands, “YEAH! When was the last time YOU had a bath?!” Another beat allows children to supply the answer. “Oh.” A trio of flies that find him repulsive (“P.U.!”) convinces him it’s time. One spread with 29 separate panels depicts the pigeon adjusting the bath (“Too wet!…Too cold.…Too reflective”) before the page turn reveals him jumping in with a spread-filling “SPLASH!” Readers accustomed to the pigeon formula will note that here the story breaks from its normal rhythms; instead of throwing a tantrum, the pigeon discovers what readers already know: “This is FUN!” All the elements are in place, including page backgrounds that modulate from dirty browns to fresh, clean colors and endpapers that bookend the story (including a very funny turnabout for the duckling, here a rubber bath toy).
Willems’ formula is still a winner. (Picture book. 3-6)Pub Date: April 1, 2014
ISBN: 978-1-4231-9087-5
Page Count: 40
Publisher: Hyperion
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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