Too finicky by half to have its day in court.
"The Princess and the Pea," courtesy of the Diagnostic and Statistical Manual of Mental Disorders.
Hans Christian Andersen’s tale of the princess and the pea is about exquisite sensitivities—of the upper crust in the original, here mainlined into the hoi polloi as what looks rather plainly to be obsessive compulsion. Perhaps the reason behind the relocation was for identification purposes, but Princess Rosebud, aka Princess Fussy in this nattering story, isn’t anyone upon whom readers will want to pin their prospects. This princess likes things just so: Her crayons on the table must be like this, the sand in her bathing suit (none, that is) like that, the stretch of her socks comme ça, labels removed from all shirts and, forefend, no peas touching the carrots on her dinner plate. When the last shatters her world, she shoves the plate off the table, gets sent to her room and later apologizes. After her father reads her the original story (tipped in as separate folio leaves on successive spreads), she has a bad night’s sleep thanks to a wayward marble and is confirmed a princess. As it were. Foster’s eye-easy artwork, with its soft colors and comfortable, retro lines, can’t elevate Princess Rosebud to enchanted status.
Too finicky by half to have its day in court. (Picture book. 4-8)Pub Date: Oct. 9, 2012
ISBN: 978-1-60905-250-8
Page Count: 40
Publisher: Blue Apple
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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