A lively kidnapping story that cuts into and reveals a major historical event in international politics.

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A suspenseful thriller set during the precarious days of the Soviet Union’s collapse.

The story begins with the ouster of President Mikhail Gorbachev at the beginning of the tumultuous end of the Soviet Union. Opportunities and danger abound in a country beaming with possibility but in political disarray. Along the Chizna River, woodsmen tasked with rooting out salmon poachers find themselves up against a particularly ruthless bunch, especially after one of their own is brutally murdered, terrifying the rest. One of the woodsmen, a young teenager named Ivan, strongly suspects that the notorious Russian Mafia is responsible. Meanwhile, a fishing expedition is arranged for a group of American elites eager to take advantage of the opportunity to travel in a Russia less encumbered by restrictions. Jeb Caldwell, a famous American billionaire, is suddenly kidnapped while staying at the same camp where poachers killed Boris, Ivan’s friend. The kidnappers quickly demand a $25 million ransom in exchange for his safe return. Problematically, Caldwell’s wife, Cheryl, no longer has quick access to such a fortune, since her husband has greatly diminished his wealth through his considerable philanthropic efforts. Caldwell’s fishing companions attempt to contact the KGB for assistance, but the agency’s power and reach have been circumscribed by the Soviet Union’s demise. Author Groome deftly braids historical fact and fiction when President George H.W. Bush himself appeals to Yeltsin to intervene when hope is all but lost. Some unusual plot twists help keep the reader guessing while mirroring the volatility of foreign affairs at the time. However, in the complex skein of a plot, the multiple strands take too long to tie together, potentially frustrating the reader. Nevertheless, the double narrative action of the kidnapping and the grand geopolitical drama is compelling. The more those two plotlines intersect, the more intriguing the chaos that ensues from regime change, even if—in this case, perhaps especially if—the revolution points toward liberty or some semblance of it.

A lively kidnapping story that cuts into and reveals a major historical event in international politics.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Dog Ear Publisher

Review Posted Online: July 21, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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