New England residents and lovers of the region’s history should find a treasure trove in this collection.

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STORIES OF YESTERYEAR

HORSE & BUGGY DAYS

A reissued debut book presents a set of vignettes on life in rural Massachusetts.

“Most of the stories are true. Many, I experienced. Others are ones passed on by friends, neighbors and relatives,” writes Brown in the Preface of his collection, first published in 1982. (The author, born in 1907, died at 102.) These are folk tales in the truest sense of the word; they tell the reader not only funny or intriguing happenings, but also the everyday events of bygone years: how people went about their business and why. The stories range in time from the early Colonial days of the mid-1600s to the early 1900s, sketching out the evolution of the close-knit community of what became Fullertown, Massachusetts. The opener, “Wolf Rock,” tells of the first recorded settler of the area, John Tomson, and his perilous trip through a wild forest. “Luke Short” is the sketch of a remarkable early settler who “lived through the reign of eight British monarchs,” served in Britain’s colonial army in India, sailed across the ocean, and eventually made his way to the New World. The relationship between the native population and the settlers is explored in “The Indian Watchman,” and an influx of Acadian immigrants brings some changes to the community in “Halifax French Gardens.” On the lighter side are fishing tales like “Uncle Gus Loses His Fish,” which delivers a pretty surprising twist, and an entertaining yarn about early dentistry—“Farmer Brown Goes to the Dentist.” “Fresh Meadow Hay” and “The Gypsy Moth Hunters” aren’t so much stories as reports on how hay was harvested or the way the town dealt with moth infestations. And there are tales of communal joy, such as “The Day the Gypsies Came to Town.” A matter-of-fact storyteller, Brown pays special attention to the details and minutiae of daily life, making these vignettes uncommonly informative and in-depth even if they barely run over one or two pages. Many of the offerings display a deft comedic touch, and ironic endings abound. The effect is something like talking to an old relative about the past and listening to someone who is instantly familiar and extensively knowledgeable.

New England residents and lovers of the region’s history should find a treasure trove in this collection.

Pub Date: March 12, 2016

ISBN: 978-1-4948-5080-7

Page Count: 82

Publisher: CreateSpace

Review Posted Online: Feb. 9, 2017

Kirkus Reviews Issue: April 1, 2017

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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