On the Road meets Baedeckers as a pair of expat libertines exploit the resources—and women—of post-World War II Europe.

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THE ROAD SHOW SAGA

TWO VERMONT FARMERS ON THE LOOSE IN SCANDINAVIA

The sons of hardscrabble Swedish immigrants join the Army to discover their own “Promised Land” across the Atlantic in Edwards’ work of fiction.

In Edwards’ picaresque fictional memoir, Jay Petersson and Denny Johnsson escape the boredom of Vermont farm life—and the country their first-generation parents fought to be part of—by joining the war effort. Jay, by his own admission, can’t help being “sarcastic and bitter.” Early on, his mother succumbs to tuberculosis and his oppressive father recruits her sister, Emilie, to fill in on the farm just before an Irish “quarry slug” murders him. Jay and Aunt Emilie, left to fend for themselves, begin a sexual relationship. “I will help you understand how to excite a woman,” she assures her nephew. “It all comes very naturally.” Later, Jay disputes their relationship was “incest.” “Naw,” he tells a wide-eyed Denny. “That’s when you sleep with your mom.” Memories of lustful trysts in European locales abound; participants include: “buxom” Kristin; “Fire-Engine-Red Sigrid”; “three-nippled nymph” Babette; Sonja and Rosellen, who take the pair to Grecian islands; and Carlotta from Dresden, so moved by Jay’s lovemaking she gives 20,000 marks to his hedge fund scheme. The residue of a lost love lingers in the form of Anni, who eventually breaks Jay’s heart, once thought impervious. Nightmares also haunt Jay, as he and Denny spend the close of the war setting up a black market distribution center, using GI Bill cash to buy bulk amphetamines in Hamburg as a “root crop” for their venture. Edwards captures the anything-goes, “unstructured world” of northern Europe, and his narrator writes in a no-frills, present tense, with surprising bursts of humor and eroticism. For such a rollicking journey, the book ends rather abruptly. Once Jay reaches the Strait of Gibraltar, he realizes he is “an expat from life itself” just before he heads off spontaneously with Zarzuela, a dark Spanish temptress.

On the Road meets Baedeckers as a pair of expat libertines exploit the resources—and women—of post-World War II Europe.    

Pub Date: June 29, 2012

ISBN: 978-1461141945

Page Count: 338

Publisher: CreateSpace

Review Posted Online: Aug. 13, 2012

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Follett's fans will enjoy this jaunt through the days before England was merry.

THE EVENING AND THE MORNING

Murder, sex, and unholy ambition threaten to overwhelm the glimmers of light in Dark Ages England in this prequel to The Pillars of the Earth (1989).

A Viking raid in 997 C.E. kills Edgar’s one true love, Sungifu, and he vows never to love another—but come on, he’s only 18. The young man is a talented builder who has strong personal values. Weighing the consequences of helping a slave escape, he muses, “Perhaps there were principles more important than the rule of law.” Meanwhile, Lady Ragna is a beautiful French noblewoman who comes to Shiring, marries the local ealdorman, Wilwulf, and starts a family. Much of the action takes place in Dreng’s Ferry, a tiny hamlet with “half a dozen houses and a church.” Dreng is a venal, vicious ferryman who hurls his slave’s newborn child into a river and is only one of several characters whose death readers will eagerly root for. Bishop Wynstan lusts to become an archbishop and will crush anyone who stands in his way. He clashes with Ragna as she announces she is lord of the Vale of Outhen. “Wait!” he says to the people, “Are you going to be ruled by a mere woman?” (Wynstan’s fate is delicious.) Aldred is a kindly monk who harbors an unrequited love for Edgar, who in turn loves Ragna but knows it’s hopeless: Although widowed after Wilwulf’s sudden death, she remains above Edgar’s station. There are plenty of other colorful people in this richly told, complex story: slaves, rapists, fornicators, nobles, murderers, kind and decent people, and men of the cloth with “Whore’s Leprosy.” The plot at its core, though, is boy meets girl—OK, Edgar meets Ragna—and a whole lot of trouble stands in the way of their happiness. They are attractive and sympathetic protagonists, and more’s the pity they’re stuck in the 11th century. Readers may guess the ending well before Page 900—yes, it’s that long—but Follett is a powerful storyteller who will hold their attention anyway.

Follett's fans will enjoy this jaunt through the days before England was merry.

Pub Date: Sept. 15, 2020

ISBN: 978-0-52-595498-9

Page Count: 928

Publisher: Viking

Review Posted Online: July 1, 2020

Kirkus Reviews Issue: July 15, 2020

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Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

CILKA'S JOURNEY

In this follow-up to the widely read The Tattooist of Auschwitz (2018), a young concentration camp survivor is sentenced to 15 years’ hard labor in a Russian gulag.

The novel begins with the liberation of Auschwitz by Soviet troops in 1945. In the camp, 16-year-old Cecilia "Cilka" Klein—one of the Jewish prisoners introduced in Tattooist—was forced to become the mistress of two Nazi commandants. The Russians accuse her of collaborating—they also think she might be a spy—and send her to the Vorkuta Gulag in Siberia. There, another nightmarish scenario unfolds: Cilka, now 18, and the other women in her hut are routinely raped at night by criminal-class prisoners with special “privileges”; by day, the near-starving women haul coal from the local mines in frigid weather. The narrative is intercut with Cilka’s grim memories of Auschwitz as well as her happier recollections of life with her parents and sister before the war. At Vorkuta, her lot improves when she starts work as a nurse trainee at the camp hospital under the supervision of a sympathetic woman doctor who tries to protect her. Cilka also begins to feel the stirrings of romantic love for Alexandr, a fellow prisoner. Though believing she is cursed, Cilka shows great courage and fortitude throughout: Indeed, her ability to endure trauma—as well her heroism in ministering to the sick and wounded—almost defies credulity. The novel is ostensibly based on a true story, but a central element in the book—Cilka’s sexual relationship with the SS officers—has been challenged by the Auschwitz Memorial Research Center and by the real Cilka’s stepson, who says it is false. As in Tattooist, the writing itself is workmanlike at best and often overwrought.

Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-26570-8

Page Count: 352

Publisher: St. Martin's

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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