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RENEWING THE LEFT

POLITICS, IMAGINATION, AND THE NEW YORK INTELLECTUALS

An illuminating study of New York radical culture from the 1930s to the 1960s. The enduring accomplishment of that culture's leading organ, the Partisan Review, was to have reestablished ``a productive relationship between politics and intellectual life,'' or as Lionel Trilling put it, ``a new union between our political ideas and our imagination.'' So argues literary historian Teres (English/Syracuse Univ.), who goes on to examine some of those ideas and their development. One, heretical among radicals of the day, was that literature and criticism could be both catholic and autonomous, rather than serve the propagandistic aims of the workers' revolution; another was that the literary ``sensibility'' that conservative critic T.S. Eliot was then canonizing could have a place in progressive letters; still another was that modernist literature could renew the culture and politics of the American left, even though some of its exponents were rightists like Ezra Pound and Wyndham Lewis. While Partisan Review was never wholly successful in accomplishing these lofty goals, Teres notes, its contributors were able to formulate a powerful critique of the ``marginalization of mind that the materialism of American capitalism had produced.'' One of the writers he studies is the poet Wallace Stevens, who here receives his due as a subtly subversive foe of the 1930s status quo. Although some of the Partisan Review's founders would drift rightward during the Cold War, Teres notes that the New York intellectuals were prescient in realizing that it was possible to criticize Marxism without betraying the working class or the leftist tradition of dissent, a point often lost on both the right and doctrinaire Marxists. For Teres, a 1970s radical who embraced doctrinaire Marxism in all its ``dismal failure,'' the New York intellectuals represent something of a golden age. His enthusiasm for their work is evident everywhere throughout this lively book.

Pub Date: March 1, 1996

ISBN: 0-19-507802-0

Page Count: 316

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1996

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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