A competent but irritating debut tracks an obtuse lawyer's clumsy fall from grace. Rick Green, who can't bring himself to kill a cockroach, joins the corporate department of a Park Avenue firm in 1987, a high season for mergers and acquisitions. On his second day on the job, he flies to Pikeville, Georgia, home of Lee Textiles: A leveraged buyout is in the offing. And, between negotiations, he takes up with receptionist Bonnie, who follows him back to New York. Rick then starts slogging along the path of his chosen profession, working 20-hour days preparing tedious documents. Meanwhile, many of his nearest and dearest are demanding insider tips: His garrulous father, Fievel, wants to augment the funds of an investment club he manages, and his childhood friend Petey now works for an arbitrageur. Lee stock prices, Rick knows, are bound to rise as another would-be buyer enters the fray. Crazed by the pressures of the job and by Bonnie's having proclaimed their lovemaking a disaster, Rick drunkenly spills the Lee scoop to both Fievel and Petey. A year later, when he's finally mastering his job, he learns that the SEC is investigating the Lee deal. His father gets subpoenaed; Petey's boss is the target of a giant investigation. A long talk with Bonnie, his clearheaded (by now) ex, leads him to confess. All is lost, but, we're to infer, a wiser, more deeply moral Rick is born. It's hard to care much about him, though: He has a gift for taking dumb, short-sighted action at the same time that he's effusively blowing his own horn. The strength of the story is more in its milieu: The drudgery and relentless pressure of corporate law are effectively re-created, as is the adrenalin-buzz of big-time dealmaking. Sharply rendered snapshots of the Decade of Greed, then, marred by the front-and-center presence of the snail-witted and insufferable Rick Green, Esq.

Pub Date: July 1, 1995

ISBN: 0-684-80363-1

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 1995

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An enjoyable, cozy novel that touches on tough topics.


A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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