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TRIALS OF FRIENDSHIP

British writer Hucker's becoming a master at exploring the psyche of the independent-minded woman (A Dangerous Happiness, 1996, etc.)—and her examination here of the complex nature of female friendships produces yet another angle on the subject. Middle-aged, red-haired Polly Ferrison's friends think that she has the perfect life: two bright, attractive daughters, a challenging, satisfying job as a high-school history teacher, and a loving husband, Neville. But as it turns out, of course, appearances lie: Neville is actually a selfish, demanding, greedy, adulterous creep who's been conducting a sporadic 20-year fling with one of Polly's supposed best friends, Vanessa. Worse, he's in love with another woman (now pregnant by him), whom he wants to marry. A breakup with Polly is inevitable. When her four best friends from college—the vampy Vanessa, wealthy Candida, farmwife Mary, and career-woman Jane—hear the news, they're sympathetic (except for Vanessa, who's enraged that Neville hasn't chosen her), but they've all got troubles of their own: Candida married for money and is now in love with another man; Mary has a husband and children of her own, but Vanessa relies on her so much that it's almost as if she has another extra-needy charge. And driven Jane has finally met the man of her dreams, but she'll have to give up her career and move to Poland if she wants to stay together with him. At the story's opening, the surfaces of these women's lives haven't yet cracked, but circumstances soon plunge all four into a turmoil that teaches them, to varying degrees, that sometimes friendship is the only thing you can count on. The larger point, however, is that the modern woman has enough options, so that any choices she makes can be the right ones—if she believes in her own self-worth. A slight but ultimately satisfying read, less syrupy than much of this genre.

Pub Date: Jan. 8, 1998

ISBN: 0-312-17051-3

Page Count: 268

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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