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WHAT THE VALLEY KNOWS

Name: WHAT THE VALLEY KNOWS
Author: Heather Christie
ISBN: 978-1-61296-940-4

by Heather Christie ‧ RELEASE DATE: Jan. 25, 2018

A taut, compelling family tale.

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A debut novel mixes high school drama, teen romance, and a strong thread of mystery and thriller.

New kids are a big deal in the quiet town of Millington Valley. All the more so when they’re as eye-catching as Molly Hanover, who makes a splash when she arrives in her senior year of high school and begins going out with football star Wade Thornton. Wade’s friendships fray, especially with his best friend and teammate, Tommy “Legs”; cheerleaders like Missi Reynolds harass Molly over her newfound happiness; and her mother’s landlord hangs around, becoming more than a little creepy. But when Molly is about to tell Wade and her mother, Ann, about the worst of what’s really been happening to her, the rush of emotion and Wade’s nasty drinking habit put them in a terrible accident. Molly wakes to discover scars weighing on her once-beautiful features while holes and suspicions eat at her memory. With her memory in pieces and her injuries severe, matters only seem to be getting worse for her, Ann, and Wade. If no one can put together what Molly was so desperate—and afraid—to tell her loved ones, disaster will be just around the next bend. With strong prose and pacing, the pages turn quickly and easily. Ann’s need to provide a good life for her daughter; Molly’s insecurities and love of words; and Wade’s fraught relationship with his town, team, and alcohol all feel genuine and well-conceived. That said, Christie’s story can feel light on detail at times. Wade’s initial, intense feelings for Molly are well-conveyed, but their relationship doesn’t have quite enough space, communication, and context to grow and deepen. The same goes for Molly, whose feelings when dealing with bullying and harassment are clear and palpable, but who has almost no time to process the worst of what happens to her before the accident seals her memory. It’s also worth noting that few of the secondary players really seem to have lives outside of their dealings with the protagonists. That said, the central characters’ story has plenty to make it worthwhile, and many readers are sure to feel at home with this intriguing book despite any shortcomings.

A taut, compelling family tale.

Pub Date: Jan. 25, 2018

ISBN: 978-1-61296-940-4

Page Count: -

Publisher: Black Rose Writing

Review Posted Online: Oct. 30, 2017

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

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LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.