A novelistic nonfiction account of romance amid the terror of the Holocaust.
In this intimate story of love and loss, Dune Macadam, author of 999: The Extraordinary Young Women of the First Official Transport to Auschwitz, and Worrall, author of The Poet and the Murderer, tell the tale of 19-year-old Annette Zelman, who arrived with her family in Paris as refugees from the provinces shortly after the Germans invaded in 1940. Set to begin school at the Beaux-Arts, “the most famous art school in all of France,” in January 1941, she anticipated a glorious artistic career within the booming surrealist and Dadaist movements. She befriended a circle of young activist artists and poets—Simone de Beauvoir, Jean-Paul Sartre, and other members of “the in-crowd”—who frequented the Café de Flore. Zelman fell in love with the poet and explorer Jean Jausion, known for his work with Les Réverbères, an artistic group that “produced both Surrealist and Dada theater—events a bit like the Happenings of the 1960s—as well as beautifully designed graphic magazines.” As the Nazis began to restrict Jewish movement and participation in society, the Zelman family, well-known Jewish clothiers, had to flee in secret to Limoges. Annette stayed in Paris and moved in with Jausion, making plans for their wedding without realizing the extent of the Jausion family’s antisemitism and collaboration with the Germans. Arrested for the political crime of planning to marry a gentile, she was sent to Auschwitz with many of her young artist friends. The authors re-create this poignant story from more than 80 letters and works of art that Annette’s sister inherited. Though the prose is occasionally overheated, the tale of Zelman and Jausion deserves to be preserved. An interesting postscript, “A Biographical Roundup of Some People Mentioned in the Book,” concludes the text.
A worthwhile addition to Holocaust literature focused on young artists navigating occupied Paris.