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HERE’S HOW I SEE IT--HERE’S HOW IT IS

Henson’s fresh first-person narrative set at a small-town summer-stock theater moves along breezily even as it imparts some fascinating stage history. For almost-13-year-old June Cantrell, aka Junebug, future Broadway star, the highlight of her year has always been helping her theatrical parents put together their productions at the Blue Moon Playhouse, but this summer nothing is the same. Her mother, a talented costume designer, has left to stay with Mama Duvall at her house on the other side of the farm, while her father, a brilliant actor and director, flirts with the gorgeous leading lady. Moreover, Junebug’s self-absorbed older sister, Stella, has assumed the ingénue roll in their production of The Tempest, now that she’s 16, leaving poor Junebug to engineer the thunder, be the backstage gofer and show the new, stuttering, know-it-all apprentice the ropes. “I am in mourning for my life.” Junebug repeats the first line of The Seagull like a mantra, just one of her many histrionic gestures. She is not always likable, though Henson’s work possesses a gutsy authenticity. (Fiction. 10-14)

Pub Date: April 28, 2009

ISBN: 978-1-4169-4901-5

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2009

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ASK ME NO QUESTIONS

Illegal immigrant sisters learn a lot about themselves when their family faces deportation in this compelling contemporary drama. Immigrants from Bangladesh, Nadira, her older sister Aisha and their parents live in New York City with expired visas. Fourteen-year-old Nadira describes herself as “the slow-wit second-born” who follows Aisha, the family star who’s on track for class valedictorian and a top-rate college. Everything changes when post-9/11 government crack-downs on Muslim immigrants push the family to seek asylum in Canada where they are turned away at the border and their father is arrested by U.S. immigration. The sisters return to New York living in constant fear of detection and trying to pretend everything is normal. As months pass, Aisha falls apart while Nadira uses her head in “a right way” to save her father and her family. Nadira’s need for acceptance by her family neatly parallels the family’s desire for acceptance in their adopted country. A perceptive peek into the lives of foreigners on the fringe. (endnote) (Fiction. 10-14)

Pub Date: Feb. 1, 2006

ISBN: 1-4169-0351-8

Page Count: 176

Publisher: Ginee Seo/Atheneum

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 15, 2005

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THE SUMMER I TURNED PRETTY

The wish-fulfilling title and sun-washed, catalog-beautiful teens on the cover will be enticing for girls looking for a...

Han’s leisurely paced, somewhat somber narrative revisits several beach-house summers in flashback through the eyes of now 15-year-old Isabel, known to all as Belly. 

Belly measures her growing self by these summers and by her lifelong relationship with the older boys, her brother and her mother’s best friend’s two sons. Belly’s dawning awareness of her sexuality and that of the boys is a strong theme, as is the sense of summer as a separate and reflective time and place: Readers get glimpses of kisses on the beach, her best friend’s flirtations during one summer’s visit, a first date. In the background the two mothers renew their friendship each year, and Lauren, Belly’s mother, provides support for her friend—if not, unfortunately, for the children—in Susannah’s losing battle with breast cancer. Besides the mostly off-stage issue of a parent’s severe illness there’s not much here to challenge most readers—driving, beer-drinking, divorce, a moment of surprise at the mothers smoking medicinal pot together. 

The wish-fulfilling title and sun-washed, catalog-beautiful teens on the cover will be enticing for girls looking for a diversion. (Fiction. 12-14)

Pub Date: May 5, 2009

ISBN: 978-1-4169-6823-8

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2009

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