HERE’S HOW I SEE IT--HERE’S HOW IT IS

Henson’s fresh first-person narrative set at a small-town summer-stock theater moves along breezily even as it imparts some fascinating stage history. For almost-13-year-old June Cantrell, aka Junebug, future Broadway star, the highlight of her year has always been helping her theatrical parents put together their productions at the Blue Moon Playhouse, but this summer nothing is the same. Her mother, a talented costume designer, has left to stay with Mama Duvall at her house on the other side of the farm, while her father, a brilliant actor and director, flirts with the gorgeous leading lady. Moreover, Junebug’s self-absorbed older sister, Stella, has assumed the ingénue roll in their production of The Tempest, now that she’s 16, leaving poor Junebug to engineer the thunder, be the backstage gofer and show the new, stuttering, know-it-all apprentice the ropes. “I am in mourning for my life.” Junebug repeats the first line of The Seagull like a mantra, just one of her many histrionic gestures. She is not always likable, though Henson’s work possesses a gutsy authenticity. (Fiction. 10-14)