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THE CUPCAKE QUEEN

Jaded Manhattan eighth grader Penny is bemused when she is whisked away from her dad to spend the summer in her mom’s tiny hometown. Things go from bad to worse when Mom decides to stay in Hog’s Hollow, open a cupcake bakery and enroll Penny at the local high school. Penny’s sardonic first-person narration is sophisticated, but at heart she is still just a 13-year-old casualty of her parents’ unraveling marriage and their inability to communicate with each other or with her. When she finds herself targeted for elaborate pranks by the local queen bee, she must dig deep to survive her freshman year. Much is familiar here: The characters are drawn with broad strokes—mysterious love interest, quirky best friend, evil nemesis—and the plot device by which the popular crowd is tricked into gaining weight will ring bells with readers who have seen Mean Girls. But Hepler’s novel is greater than the sum of its parts, held together by Penny’s genuine voice and emotions. Readers will root for Penny, a talented artist, as she develops her gifts and adapts to small-town life. (Fiction. 11-14)

Pub Date: Sept. 1, 2009

ISBN: 978-0-525-42157-3

Page Count: 256

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2009

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LEGEND

From the Legend series , Vol. 1

This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes

A gripping thriller in dystopic future Los Angeles.

Fifteen-year-olds June and Day live completely different lives in the glorious Republic. June is rich and brilliant, the only candidate ever to get a perfect score in the Trials, and is destined for a glowing career in the military. She looks forward to the day when she can join up and fight the Republic’s treacherous enemies east of the Dakotas. Day, on the other hand, is an anonymous street rat, a slum child who failed his own Trial. He's also the Republic's most wanted criminal, prone to stealing from the rich and giving to the poor. When tragedies strike both their families, the two brilliant teens are thrown into direct opposition. In alternating first-person narratives, Day and June experience coming-of-age adventures in the midst of spying, theft and daredevil combat. Their voices are distinct and richly drawn, from Day’s self-deprecating affection for others to June's Holmesian attention to detail. All the flavor of a post-apocalyptic setting—plagues, class warfare, maniacal soldiers—escalates to greater complexity while leaving space for further worldbuilding in the sequel.

This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes . (Science fiction. 12-14)

Pub Date: Nov. 29, 2011

ISBN: 978-0-399-25675-2

Page Count: 336

Publisher: Putnam

Review Posted Online: April 8, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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MAPPING THE BONES

Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.

A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).

Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.

Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)

Pub Date: March 6, 2018

ISBN: 978-0-399-25778-0

Page Count: 432

Publisher: Philomel

Review Posted Online: Dec. 20, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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