A book of pluck, spirit, and great emotion with an appealing perspective on the value of each human life.
A poet and creative nonfiction professor grapples with motherhood and the meaning of life in this memoir of raising her developmentally challenged daughter, Fiona.
As Lanier notes at the beginning, she had followed all the best-practices advice throughout her pregnancy—organic fruits and vegetables, no GMO, maintaining a seated position leaning forward with “my elbows propped on my spread knees like I was forever on the verge of imparting a proverb”—to make certain that hers would be a “SuperBaby.” But Fiona was born with the extremely rare Wolf-Hirschhorn syndrome, which has profound developmental affects relative to mental growth, speech, coordination, and other areas. It has a high youthful mortality rate, and “there is no specific treatment.” The author struggled mightily to cope with the severity of the diagnosis: “I was free-falling….My sadness was no longer the selfish reaction that my baby wasn’t, would not be perfect, but that we could lose her….My cry was an emptying….My cry was a collapse.” Lanier writes with powerful humanity as she charts her course, and one of the first lessons she learned was that when anyone chooses to have a child, they “sign up for the fragility of life.” The author is especially sharp on her journey to remake herself, to pivot away from “the desperate, clinging, distraught version who wanted what her child was not.” Along the way, she forcefully condemns the concept of a hierarchy of lives worth living. Her abiding love for Fiona is clear throughout, and it’s heartening to watch her learn to reject the idea that disability is deficit. “We can only open our arms, say welcome,” she writes, and she is clear that this means being vulnerable, “often fallible, but always open, and raw, and real. And present to the whole messy world.”
A book of pluck, spirit, and great emotion with an appealing perspective on the value of each human life.Pub Date: July 7, 2020
ISBN: 978-0-525-55963-4
Page Count: 320
Publisher: Penguin Press
Review Posted Online: April 5, 2020
Kirkus Reviews Issue: May 1, 2020
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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