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MY NAME IS VENUS BLACK

A badass bildungsroman.

The story of two siblings, estranged after an incident that throws their lives off the rails.

In Everett, Washington, in 1980, 13-year-old Venus Black shoots her stepfather in the head. When she goes to a juvenile detention center, she leaves behind her younger brother, Leo, who has developmental differences. He is 7 “but acts more like he’s 3 or 4” and has extreme and adverse reactions to loud noises, being touched, colors that aren’t right, and disruptions of his routine. Venus is the only one who can calm him, and when she's arrested, he is inconsolable, unable to understand where she's gone and why he's staying with a neighbor. When he's kidnapped a few days later, it is Venus who's inconsolable, unable to forgive her mother, Inez, for this carelessness or for the ignorance and dismissiveness which triggered the murder. The rest of the book follows the siblings’ parallel stories. Venus spends five years in juvie for the murder of her stepfather. When she's released, she attempts to build a new life for herself in Seattle, avoiding her mother and her past altogether. Using a fake name, she gets a job at a bakery and a run-down room to live in with a patchwork family—a man named Mike and his niece, Piper. Meanwhile, Leo’s kidnapper has abandoned him, luckily to a father and daughter, Tony and Tessa, who love him very much and care for him compassionately. Over the course of the novel, it becomes very clear why Venus killed her stepfather and why she has such a hard time accepting the affection of male strangers. It also becomes clear that crime and punishment is not black and white, that we all have survival instincts beyond what we might imagine we’re capable of, and that kinship can look nothing like a nuclear family and still harbor profound love. The plot follows all-too-convenient points to a predictably saccharine end, but it’s impossible not to root for this strong, willful girl as she finds her place in the world and for her brother as he tries to make sense of it.

A badass bildungsroman.

Pub Date: Feb. 27, 2018

ISBN: 978-0-399-59218-8

Page Count: 368

Publisher: Dial Books

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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  • New York Times Bestseller

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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