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JENNIFER JOHNSON IS SICK OF BEING MARRIED

A cross between chick-lit fare and Bridesmaids.

Bawdy, occasionally lewd and often funny, this follow-up to Jennifer Johnson is Sick of Being Single (2009) returns us to the screwball adventures of a likable screw-up.

Jennifer has landed her man, handsome Brad Keller, heir to a Midwestern department store. The novel opens as the happy couple leaves for their honeymoon on St. Johns, where everything goes wrong. Flight delays, luggage lost and food poisoning, all in the first 24 hours, set the tone for the rest of their marriage. When they arrive home in Minnesota, Ma and Pa Keller have a surprise for the young couple—they bought them the McMansion right next door—and Mother Keller has thoughtfully decorated the whole thing in pastels and ceramic figurines. She also hired them a maid, Bi’ch, an elderly Hmong woman who lives in the guesthouse with her entire extended family. Jennifer is livid, Brad could care less, but in the end, how could she turn down a $3 million lakefront home? Then, Brad breaks the news: He and his sister, Sarah, are to compete to inherit Keller’s when their father retires. Brad and Jennifer must become the perfect church-attending, Republican-voting, golf-playing, pastel-wearing (Jennifer only) couple. With the help of her best friend, Christopher, Jennifer (a once aspiring writer, sweatshirt-wearing Everywoman) is transformed into someone who could’ve starred on Dynasty. Alas, everything always goes wrong (for a variety of reasons, not least of which is sabotage at the hands of the evil Mother Keller). Dinner guests are poisoned, bodily fluids run rampant and her $10,000 refrigerator won’t stop belittling her in Japanese. And to top it off, she and Brad don’t seem to love each other anymore, if they ever did. Next up: Operation Break the Prenup. Some of McElhatton’s conventions—the gay best friend, the endless shopping and makeover scenes—are happily redeemed by her wicked sense of slapstick comedy.

A cross between chick-lit fare and Bridesmaids.

Pub Date: Oct. 9, 2012

ISBN: 978-0-06-206439-4

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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