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ABRAHAM'S OTHER CHILDREN: THE ARABS by Heidi  Tawfik

ABRAHAM'S OTHER CHILDREN: THE ARABS

A Historical Fiction

by Heidi Tawfik

ISBN: 978-0-9629455-1-9
Publisher: Windmill Publishing Company

Tawfik (Saudi Arabia: A Personal Experience, 1991) tells the story of the Arab people up to the time of Muhammad in this historical novel.

In 1800 BCE, in the city of Ur, Nahor—a member of a group of traders known as the Hebrews—hears that his son, Azar, has a new child, so he goes to visit him. Azar wants to name the baby Nahor, after his own father, but the elder man recommends a different name: “This boy should be called Abraham, a name that means ‘father of nations’. I have seen signs and believe he will be a great man.” As an adult, Abraham learns from the angel Gabriel about the true God, called “Al-ILah.” Gabriel also tells Abraham that his son Ismael must be taken to the city of Beca (later known as Mecca), where he’ll rebuild a house for God that was destroyed by the great flood. This house, the Kaaba, is the center of Arab worship for centuries. It’s not until a later prophet, Mohamed, comes along, though, that the original faith of Abraham and Ismael is restored. The novel is divided into three sections: the first deals with the founding of Mecca and the interactions between the Arabs and their Middle Eastern neighbors; the second chronicles the “Age of Ignorance” and further international relations; and the final section describes the rise of Mohamed. Tawfik’s prose is simple and largely unadorned: “Preparation to build Allah’s house and the sanctuary began in earnest. Abraham was a rich man and able to pay the cost of this large undertaking.” Overall, the book reads less like a novel than it does a historical summary with some light dramatization. As a result, much of the text is devoted to exposition, and people come and go quickly, not allowing much time for character development. Readers interested in Arab folk history will find Tawfik’s book a fairly concise synthesis of various sources and traditions. However, she doesn’t add enough elements or complicate the story enough to make it a truly compelling work of fiction.

A comprehensive but dramatically flat retelling of Arab history from a Muslim perspective.