by Heinz Janisch ; illustrated by Wolf Erlbruch ; translated by Sally-Ann Spencer ‧ RELEASE DATE: Sept. 1, 2015
This gem’s childlike warmth, whimsy, and wisdom bring to mind The Little Prince.
The titular king, a smallish character made of paper and featuring crayoned features and crown, converses with many creatures and inanimate objects in a series of double-page “chapters,” each title beginning, “The King and….”
Humorous yet elegant collages perfectly complement tiny tales that will sometimes elicit conversation, sometimes a knowing smile or an outright laugh, and occasionally a shrug of incomprehension. There is no violence or even unpleasantness, save one bee sting. Reading the book from beginning to end produces the satisfaction of bonding with the very human king as he engages in learning and in bettering himself. His conversations often begin from the double traits of pride and ignorance, then end with his humble acceptance of an improved interpretation of the world. The least subtle tale is the funny “The King and the Dog,” during which the red-faced king shouts a series of commands—including “Stop! Fetch! Heel!”—to a calm, intransigent pup across the gutter. “I am the king!” is part of the tirade. The final sentence: “Then he ran off after the dog.” The youngest readers will love the king’s blissful, sleeping countenance after his losing battle against sleep. Occasionally the king finds his own capability, as when he lights a candle to solve an impasse with the night.
This gem’s childlike warmth, whimsy, and wisdom bring to mind The Little Prince. (Picture book. 7 & up)Pub Date: Sept. 1, 2015
ISBN: 978-1-8775-7994-3
Page Count: 48
Publisher: Gecko Press
Review Posted Online: May 17, 2015
Kirkus Reviews Issue: June 15, 2015
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by Nathaniel Lachenmeyer ; illustrated by Simini Blocker ‧ RELEASE DATE: June 18, 2019
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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by Henry Winkler ; Lin Oliver ; illustrated by Scott Garrett ‧ RELEASE DATE: Feb. 14, 2014
An uncomplicated opener, with some funny bits and a clear but not heavy agenda.
Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.
Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.
An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)Pub Date: Feb. 14, 2014
ISBN: 978-0-448-48239-2
Page Count: 128
Publisher: Grosset & Dunlap
Review Posted Online: Dec. 10, 2013
Kirkus Reviews Issue: Jan. 1, 2014
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