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THE SIEGE

Dunmore (With Your Crooked Heart, 2000, etc.) has a gift for telling her tale in the rhythm of war and suffering, but less...

A small knot of people fight to survive the Nazi siege of Leningrad in a book that feels more like history than it does like a novel.

In the summer of 1941, twenty-two-year-old Anna Levin is staying with her father, Mikhail, at his small dacha outside Leningrad, where Anna keeps watch over her five-year-old brother Kolya. Mikhail is a writer whose lack of political acuity has made him unpublishable; and this failure, along with the recent loss of his wife, has made him into a premature invalid. Anna doesn’t have much drive, either. She watches after the family, does some drawing, takes care of the garden, and, like everyone else, makes sure to voice politically correct enthusiasms for Comrade Stalin so that the men in black vans won’t show up in the middle of the night to take them away. Then, she hears the unbelievable news of a German assault on Russia, and the story begins its lockstep march from the tensions of peacetime to the horrors of war. Despite everyone’s protestations that the Fascists will never get anywhere near Leningrad, the nearer they come. Anna and her family move into the city so as not to be cut off. They are joined in their small apartment by Marina, an actress who fell from political grace years ago and was also a mistress of Mikhail’s; and Andrei, a young doctor who quickly falls for Anna. As the temperature drops, so does hope. The brutal winter makes an already-unbearable situation worse, and soon people are making soup out of bread and water and praying for an end to winter.

Dunmore (With Your Crooked Heart, 2000, etc.) has a gift for telling her tale in the rhythm of war and suffering, but less of one for releasing the springs of a novel. Still, mixing an easy lyricism with gruesome honesty, she shows us what life is like for civilians in war—praying for help, saving the last crust of bread.

Pub Date: Jan. 1, 2001

ISBN: 0-8021-1700-7

Page Count: 304

Publisher: Grove

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2001

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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