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BATTER UP WOMBAT

“The Champs weren’t,” writes Lester, introducing Munsinger’s hairy, delightful baseballers. Concisely so, but only from the vantage point of runs scored. Into their unsuspecting, winless ranks marches a hairy, delightful wombat (a sturdily built Australian marsupial, for those as clueless about wombats as this wombat is about baseball). The sport may bewilder the wombat, but the Champs think his name is powerfully suggestive—“Wham! Bat!”—and the wombat is tickled by baseball’s allusive jargon, literally interpreting such items as “a pitcher stands on a mound,” “the catcher wears a mask” and, best of all, “the hitter hits a foul,” with the image coming to his mind of a chicken getting clobbered by a boxing glove. While the wombat doesn’t deliver the big hits the Champs expected, he does dig them a storm cellar into which they retreat (it seems the Champs are forever retreating into one cellar or another) when a tornado invades their playing field. Comically absurd wordplay and Munsinger’s typically goofy art make this an unbeatable combination. (Picture book. 4-8)

Pub Date: Aug. 21, 2006

ISBN: 0-618-73784-7

Page Count: 32

Publisher: Walter Lorraine/Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2006

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JOE LOUIS, MY CHAMPION

One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)

Pub Date: May 1, 2004

ISBN: 1-58430-161-9

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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DIARY OF A SPIDER

The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)

Pub Date: Aug. 1, 2005

ISBN: 0-06-000153-4

Page Count: 40

Publisher: Joanna Cotler/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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