by Helen Lester & illustrated by Lynn Munsinger ‧ RELEASE DATE: Oct. 24, 2005
Lester’s Tacky is tacky, though he is even more a Society of Oddfellows unto himself, a pleasing misfit among his righteous penguin cohort of Goodly, Lovely, Angel, Neatly and Perfect. Tacky is joyously oblivious of their rectitude as they prepare for the penguin Winter Games, pumping iron and skipping rope as Tacky catches a few zzz’s and equips his exer-cycle with a horn and tassels, chows pizza and donuts as the others dutifully swallow their spinach (and Munsinger is perfect here, easily capturing both sniffyness and unbridled appetite). Tacky unintentionally subverts the rules of the Games, winning but losing as officials disqualify his unorthodox stratagems. Finally, his team grabs a victory despite the fact that Tacky ate the baton. A citizen of the deep cold, it’s another Frost that Tacky emulates, the one who recommends the road not taken. Tacky, the clueless role model, takes it all the time. (Picture book. 4-6)
Pub Date: Oct. 24, 2005
ISBN: 0-618-55659-1
Page Count: 32
Publisher: Walter Lorraine/Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2005
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by Margarita del Mazo ; illustrated by Silvia Álvarez ‧ RELEASE DATE: Nov. 10, 2015
Too many bugs, figuratively.
Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.
The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.
Too many bugs, figuratively. (Picture book. 4-6)Pub Date: Nov. 10, 2015
ISBN: 978-84-16147-00-7
Page Count: 32
Publisher: Cuento de Luz
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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by Margarita del Mazo ; illustrated by Guridi ; translated by Cecilia Ross
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by Valerie Bolling ; illustrated by Maine Diaz ‧ RELEASE DATE: March 3, 2020
The snappy text will get toes tapping, but the information it carries is limited.
Dancing is one of the most universal elements of cultures the world over.
In onomatopoeic, rhyming text, Bolling encourages readers to dance in styles including folk dance, classical ballet, breakdancing, and line dancing. Read aloud, the zippy text will engage young children: “Tappity Tap / Fingers Snap,” reads the rhyme on the double-page spread for flamenco; “Jiggity-Jig / Zig-zag-zig” describes Irish step dancing. The ballet pages stereotypically include only children in dresses or tutus, but one of these dancers wears hijab. Overall, children included are racially diverse and vary in gender presentation. Diaz’s illustrations show her background in animated films; her active child dancers generally have the large-eyed sameness of cartoon characters. The endpapers, with shoes and musical instruments, could become a matching game with pages in the book. The dances depicted are described at the end, including kathak from India and kuku from Guinea, West Africa. Unfortunately, these explanations are quite rudimentary. Kathak dancers use their facial expressions extensively in addition to the “movements of their hands and their jingling feet,” as described in the book. Although today kuku is danced at all types of celebrations in several countries, it was once done after fishing, an activity acknowledged in the illustrations but not mentioned in the explanatory text.
The snappy text will get toes tapping, but the information it carries is limited. (Informational picture book. 4-6)Pub Date: March 3, 2020
ISBN: 978-1-63592-142-7
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Valerie Bolling ; illustrated by Kaylani Juanita
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