Virtuosic animal portraits adorn this lively retelling of Chaucer’s “Nun’s Priest’s Tale.” Flattering vain rooster Chanticleer into stretching up to crow, a fox, “reddish, doggish, and hungry for his supper,” seizes him by the neck and heads for the woods, pursued by an array of exactly rendered—though often only partially visible—livestock. Turnabout being fair play, just before Fox can disappear into the forest Chanticleer escapes by persuading him to stop and open his mouth to boast of his prowess. Ward (Old Shell, New Shell, not reviewed, etc.) discusses the story’s origins, then closes with a key to the breeds, many of which are rare or exotic, that she depicts in the extraordinary illustrations. Younger readers may skip over the final section (particularly as it’s printed in vanishingly tiny type)—no matter: they are sure to linger over the sumptuous art and to get the point of this ageless fable. (Picture book/folktale. 7-10)
Pub Date: March 1, 2003
ISBN: 0-7613-2920-X
Page Count: 40
Publisher: Millbrook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2002
A charming, true story about the encounter between the boy who would become chancellor at the University of California at Riverside and a librarian in Iowa. Tom†s Rivera, child of migrant laborers, picks crops in Iowa in the summer and Texas in the winter, traveling from place to place in a worn old car. When he is not helping in the fields, Tom†s likes to hear Papa Grande's stories, which he knows by heart. Papa Grande sends him to the library downtown for new stories, but Tom†s finds the building intimidating. The librarian welcomes him, inviting him in for a cool drink of water and a book. Tom†s reads until the library closes, and leaves with books checked out on the librarian's own card. For the rest of the summer, he shares books and stories with his family, and teaches the librarian some Spanish. At the end of the season, there are big hugs and a gift exchange: sweet bread from Tom†s's mother and a shiny new book from the librarianto keep. Col¢n's dreamy illustrations capture the brief friendship and its life-altering effects in soft earth tones, using round sculptured shapes that often depict the boy right in the middle of whatever story realm he's entered. (Picture book. 7-10)
Pub Date: Aug. 1, 1997
ISBN: 0-679-80401-3
Page Count: 32
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1997
A very pleasing first-chapter book from its funny and tender opening salvo to its heartwarming closer. Ray and his Grampa Halfmoon live in Chicago, but Grampa comes from Oklahoma. Six vignettes make up the short chapters. Among them: Ray finds a way to buy Grampa the pair of moccasins that remind him of home and Smith gets in a gentle jab at the commercialization of Native American artifacts. At a Christmas stuck far away from the Oklahoma relatives the pair finds comfort and joy even when the electricity goes out, and in a funny sequence of disasters, a haircut gone seriously awry enables a purple-and-orange dye job to be just the ticket for little-league spirit. The language is spare, clean, and rhythmic, with a little sentimentality to soften the edges. Ray and Grampa have a warm and loving intergenerational bond that’s an added treat. With a nod toward contemporary Native Americans, Grampa tells Cherokee and Seminole family stories, and when Ray gets to be in a wedding party, the groom is Polish-Menominee and his bride is Choctaw. An excellent choice for younger readers from the author of the bittersweet Rain Is Not My Indian Name (2001). (Fiction. 7-10)
Pub Date: April 1, 2002
ISBN: 0-06-029531-7
Page Count: 80
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2002
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