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Medical Man

A well-organized, smoothly presented blend of fact and fiction about a pioneering doctor.

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A debut biographical novel examines the life of Canadian physician and surgeon Thomas Robert Ross, who practiced medicine in Alberta during the first half of the 20th century.

Webster attempts to realize the one unfulfilled ambition of Ross—to write his own history as a frontier doctor during a time marked simultaneously by rapid change in his chosen profession and the western expansion of Canada. For the basic story, the author has relied on the copious notes left behind by Ross and his wife, Jennie, including fragments of case histories, personal letters, and oral histories repeated by family, friends, and their descendants. From these, she weaves her own imaginative narrative showcasing Ross, a medical pioneer who leaves the busy cities in Quebec and Ontario behind for the southwestern plains of the new Alberta province, bringing with him his wife and two young sons. Through the invented conversations and musings of Ross and Jennie, Webster builds two complex primary characters. Ross, son of a Hudson Bay Company trader, possesses a temperament that’s suited to life on the vast empty expanses of mountains and, later, prairies. He is an exuberant, restless loner. In counterpoint is Jennie, a former school teacher, who suffers from more fragile health and bouts of depression. She finds the frequent moves of their first 20 years in Alberta, until they finally settle in the prairie town of Drumheller, challenging both physically and emotionally. But the background against which their personal saga plays turns out to be the most compelling aspect of this volume: the technological changes that move Ross from horseback to automobiles, two world wars that deliver home the wounded and the maimed, and the gradual introduction of medical breakthroughs that mark the first half of the century. These include the development of insulin for treating diabetes, the early use of vaccines, the improvements in operating-room disinfection (which Ross instituted in Coleman), and his work to improve techniques in bone surgery. Constant mining injuries (these are coal towns) also inspire Ross to revolutionize on-site treatment by creating first-aid brigades trained to stabilize miners before they make the arduous journey to the hospital.

A well-organized, smoothly presented blend of fact and fiction about a pioneering doctor.

Pub Date: Jan. 7, 2016

ISBN: 978-1-4602-7877-2

Page Count: 402

Publisher: FriesenPress

Review Posted Online: May 12, 2016

Kirkus Reviews Issue: July 1, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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