Best for fans of historical fiction but engaging enough for a broader audience.

THE LAST CRUSADER KINGDOM

DAWN OF A DYNASTY IN 12TH CENTURY CYPRUS

Schrader (Envoy of Jerusalem: Balian d’Ibelin and the Third Crusade, 2016, etc.) follows up her Jerusalem Trilogy with an imaginative, fictionalized account of the d’Ibelin and Lusignan families and the founding of the Kingdom of Cyprus.

By the last decade of the 12th century, the Kingdom of Jerusalem was reduced to one-fourth its original size. Even the city of Jerusalem was now held by the Saracens (Arab Muslims), who had overwhelmed the Christian lords and knights in 1187 and 1188. The novel opens in 1193, and Balian d’Ibelin (a celebrated knight, member of the high court, and husband of Maria Zoë Comnena, dowager queen of Jerusalem) now lives in reduced circumstances in the manor house of his barony in Caymont. When he learns that Aimery de Lusignan, constable of the Kingdom of Jerusalem, has been arrested for treason under orders from Henri de Champagne, he travels to a palace in Acre to broker a deal with Champagne. Balian has a special interest in the affair. Aimery is married to Eschiva, Balian’s niece. Champagne agrees to the terms: Aimery resigns his position and is released to join his brother Guy de Lusignan, Lord of Cyprus, to help maintain rule over the rebellious Orthodox Greek Cypriots. Thus begins the eventual migration of the Lusignan and d’Ibelin families to Cyprus. Readers may find the extensive character list, which occupies several pages, and complex relationships daunting. Plus, there is a plethora of alliances, marriages, and historic, cultural, and religious clashes to be navigated. But just a bit of effort brings the reward of a surprisingly addictive narrative. Schrader is a deft, knowledgeable writer, capable of portraying a complicated historical period through accessible, descriptive prose (“The gold mosaics, the blue, turquoise, and aqua-colored tiles, the marble fountains, and the potted hibiscus”). With her focus on the individual, albeit imagined, personal dramas of the primary protagonists, Schrader brings detail, excitement, and life to a bygone era. And she offers a little something for everyone: royal intrigue, rivalry, bloody battles, love, tragedy, and memorable characters.

Best for fans of historical fiction but engaging enough for a broader audience.

Pub Date: Aug. 18, 2017

ISBN: 978-1-62787-517-2

Page Count: 412

Publisher: Wheatmark

Review Posted Online: Nov. 23, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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