by Helene Tursten ‧ RELEASE DATE: Nov. 6, 2018
The book is pure fun, although slender. Another volume of Maud’s misdeeds would be most welcome.
Five connected stories about a murderous old Swedish lady.
Maud has a good thing going. At age 88, she’s lived in a large apartment rent-free for 70 years because of a clause in an old contract. Never married, she loves to travel alone and to be alone. In the first story, "An Elderly Lady Has Accommodation Problems," a rare event happens: Her doorbell rings. Jasmin Schimmerhof, a 40-year-old avant-garde artist who lives in the building, stops by to say hello. The daughter of celebrities, her past includes drugs, multiple divorces, and tragedy. Her current art project strives to “unmask the domineering tactics of the patriarchy,” meaning that her small apartment is filled with phalluses—some even hanging from the ceiling. She is delightfully overbearing as she constantly tries to weasel her way into Maud’s good graces. But Maud isn’t stupid or senile, and she knows Jasmin is up to something. Once Maud figures out what it is, her solution is drastic, funny, and final. Maud is a seasoned world traveler who once, at age 18, had been engaged to Lt. Gustaf Adelsiöö. He’d emphatically broken off their engagement on learning her family wasn’t rich. Now, in “An Elderly Lady on Her Travels,” she reads in the newspaper that he is a wealthy 90-year-old widower about to marry the 55-year-old Zazza, whom ex-teacher Maud knows as her long-ago student, a schemer and a failed soft-core porn actress. When Maud arranges to get near her at a spa and then overhears Zazza’s plans to take control of Gustaf’s estate, Maud devises an emphatic countermeasure. And then in “An Elderly Lady Seeks Peace at Christmastime,” she deals with “The Problem” in the apartment above her. Maud’s murders always have plausible motives, and she is a sympathetic character as long as one keeps a safe distance. Each story takes its sweet time to develop and concludes with a juicy dose of senior justice.The book is pure fun, although slender. Another volume of Maud’s misdeeds would be most welcome.
Pub Date: Nov. 6, 2018
Page Count: 184
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Pub Date: March 17, 2020
Page Count: 352
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by James Patterson ‧ RELEASE DATE: Nov. 5, 2003
As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir...
Dr. Alex Cross has left Metro DC Homicide for the FBI, but it’s business as usual in this laughably rough-hewn fairy tale of modern-day white slavery.
According to reliable sources, more people are being sold into slavery than ever before, and it all seems to be going down on the FBI’s watch. Atlanta ex-reporter Elizabeth Connolly, who looks just like Claudia Schiffer, is the ninth target over the past two years to be abducted by a husband-and-wife pair who travel the country at the behest of the nefarious Pasha Sorokin, the Wolf of the Red Mafiya. The only clues are those deliberately left behind by the kidnappers, who snatch fashion designer Audrey Meek from the King of Prussia Mall in full view of her children, or patrons like Audrey’s purchaser, who ends up releasing her and killing himself. Who you gonna call? Alex Cross, of course. Even though he still hasn’t finished the Agency’s training course, all the higher-ups he runs into, from hardcases who trust him to lickspittles seething with envy, have obviously read his dossier (Four Blind Mice, 2002, etc.), and they know the new guy is “close to psychic,” a “one-man flying squad” who’s already a legend, “like Clarice Starling in the movies.” It’s lucky that Cross’s reputation precedes him, because his fond creator doesn’t give him much to do here but chase suspects identified by obliging tipsters and worry about his family (Alex Jr.’s mother, alarmed at Cross’s dangerous job, is suing for custody) while the Wolf and his cronies—Sterling, Mr. Potter, the Art Director, Sphinx, and the Marvel—kidnap more dishy women (and the occasional gay man) and kill everybody who gets in their way, and quite a few poor souls who don’t.As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir the slightest sympathy.
Pub Date: Nov. 5, 2003
Page Count: 400
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2003
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