by Hena Khan ; illustrated by Aaliya Jaleel ‧ RELEASE DATE: Jan. 22, 2019
Informative and genuine, the book offers much to learn about the settings and situations of hijab.
A window into the world of a Muslim-American girl and the diverse women in her family and community.
A young, unnamed female narrator observes the women in her lives in public situations where they wear hijab and other situations where they do not, clearly showing when Muslim women who wear hijab transition into situations and places where they do not wear hijab. Khan connects in words the personality of each woman in and out of hijab. When Grandma is at work baking, “her hijab is carefully folded, / like the crusts on my favorite pies,” while “at home in her kitchen, / Grandma fixes her hair in a bun.” When she’s in her shared studio, an aunt’s hijab “towers up high, / pinned with a handmade jewel,” but at home the narrator can appreciate how her hair “is streaked pink and purple.” Jaleel’s illustrations pair well with Khan’s text, depicting some of the various ways hijab is styled. Though specific ethnicities are not mentioned, the family is multiracial, with the grandmother and father appearing black, a light-skinned mother and other female relatives, and friends with various skin tones. Women are also varied in ages and body shape. An endnote provides further information about hijab, what the word means, when women choose to wear it, why they choose to wear it, and that some women, like the author of the book, choose not to wear it.
Informative and genuine, the book offers much to learn about the settings and situations of hijab. (Picture book. 4-10)Pub Date: Jan. 22, 2019
ISBN: 978-1-62014-792-4
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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More by Hena Khan
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edited by Hena Khan ; illustrated by Chaaya Prabhat
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by Hena Khan
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by Shay Youngblood ; illustrated by Kristina Swarner ‧ RELEASE DATE: May 9, 2023
Brimming with gratitude, familial love, and joy.
A Black child celebrates their family through prayer and affirmations.
Using repetition (“My mother is a blessing,” “My father is a blessing”), the young narrator prays for various family members, asking that they be kept “safe and well.” Each spread explains why a different member is beloved. The child’s mother “listens to my hopes and dreams” and “watches over me while I sleep.” The child’s father “teaches me to see that rainy days / are lucky days.” Their grandmother “bakes buttery lemon pound cake just for me,” while their grandfather “knows the histories of the world.” Their sister “keeps my secrets” and “helps me find my way,” and their brother “holds my hand when I’m afraid.” Complementing the loving verse, the illustrations are full of warmth and texture and play with geometrical shapes. Godparents, babysitters, and the family dog are even included, too. This book promotes an appreciation for household members as well as the family that can be created outside the home. In an author’s note, Youngblood explains that when she was growing up in Georgia, members of the Black community who weren’t related were often still considered family and that prayer was a big part of her life as a child coping with the death of her birth mother and the realization that she had siblings she’d never met. (This book was reviewed digitally.)
Brimming with gratitude, familial love, and joy. (Religious picture book. 4-8)Pub Date: May 9, 2023
ISBN: 9780593234693
Page Count: 40
Publisher: Convergent/Crown
Review Posted Online: March 28, 2023
Kirkus Reviews Issue: April 15, 2023
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More by Shay Youngblood
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by Shay Youngblood ; illustrated by Lo Harris
by Chris Tomlin Pat Barrett ; illustrated by Lorna Hussey ‧ RELEASE DATE: Oct. 4, 2016
The lofty symbolism of this allegorical tale may be above the comprehension level of literal-minded children.
This Christian allegory presents a little bear who asks an all-powerful lion king for his help in solving the problems of other bear cubs.
Tucker is a cub who likes to help others, but his young friends have all sorts of deep-seated troubles, ranging from illness to hunger to aggression. So Tucker sets off on a journey to see the king, who lives in a hilltop castle “where the door was always open.” The bear cub wants to take along a “perfect gift” for the king to elicit his help, and in familiar fashion, he meets animals along the way who give him additional information about the king and items to take along as presents. Tucker takes all these items to the lion, who explains that as king he can fulfill these roles because he is a good father. The king returns to the town with Tucker, magically solving everyone’s problems with unexplained help and lots of love. Tucker concludes that the king is a “Good Good Father,” and Tucker’s seeking his help was the perfect gift. God is not mentioned in the text, and younger children will need an adult’s assistance in understanding the symbolic meaning of the lion and his multifaceted powers. Pleasant though unnuanced watercolor-and-pencil illustrations of appealing animal characters add some spunk to the story.
The lofty symbolism of this allegorical tale may be above the comprehension level of literal-minded children. (authors’ note) (Picture book/religion. 4-8)Pub Date: Oct. 4, 2016
ISBN: 978-0-7180-8695-4
Page Count: 32
Publisher: Thomas Nelson
Review Posted Online: Aug. 1, 2016
Kirkus Reviews Issue: Aug. 15, 2016
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