Lucky for the developers that Bartleby's books are worth the wait. This app series continues to delight; it feels innovative...
A continuation of the charmingly playful series about button-collecting, bowler-hat–wearing Bartleby, this volume is no less winning than the first even as it adds more locales and characters.
When last we left Bartleby, his brief trip to Mystery Island yielded treasure. This time out, an encounter with Bartleby's friend Sally (who's into switches the way he's into buttons) leads to an adventure on and under the sea, which reveals a long-lost family member and a cliffhanger ending that points to a third volume that will likely take place in space. As in the first book, the detailed animation (watch as Bartleby's bushy mustache flaps in the wind as he rides his moped), clever-but-not-too-difficult puzzles and retro-tech vibe are a great combination. Bartleby doesn't speak much, but he doesn't have to; he expresses himself in the way he solves puzzles, pursues clues and treasures his buttons. Hidden maps, deep-sea buttons, secret underwater caves and sleepy whales figure into a story that's packed with great imagery and texture. Volume two feels twice as long as the first book did, and it's satisfying, but the cliffhanger may be a problem for some faithful readers given how long it takes for a new app to be released; it's been nearly a year since we saw the previous adventure.
Lucky for the developers that Bartleby's books are worth the wait. This app series continues to delight; it feels innovative and well-told at the same time, a tricky balance. (iPad storybook/puzzle app. 4-10)Pub Date: Oct. 11, 2011
ISBN: N/A
Page Count: -
Publisher: Octopus Kite
Review Posted Online: Nov. 18, 2011
Kirkus Reviews Issue: Dec. 1, 2011
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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