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AMERICA BEHIND THE COLOR LINE

DIALOGUES WITH AFRICAN AMERICANS

Provocative and worthwhile.

The readable companion, in the oral-history tradition of Studs Terkel, to the PBS documentary series, peeking behind the veil “that still, far too often, separates black America from white.”

African-Americans, observes Harvard literary scholar Gates (The African-American Century, 2000, etc.), “often speak differently—more colorfully and openly—when talking with each other behind closed doors, as it were, than they do in interracial settings.” These one-on-one discussions are certainly open, in the main, and immediate; they speak of the considerable successes that many African-Americans have won in places such as Hollywood and Washington since the 1970s, but they also reveal how far the country has yet to go. Colin Powell, for instance, acknowledges that he “wears his blackness every day” and that when he travels abroad, “people see a black man.” Yet, he adds, as secretary of state, “I represent . . . the power of this country . . . and once we sit down and they get past whatever color I am, they want to do business with me.” Powell encourages young black people to find a white mentor, for “more and more people in the white community are anxious to help those who are less fortunate.” Colorblindness, at least of a kind, also extends to film stars, for, as the saw goes, the only color that counts in Hollywood is green. Even so, the actor Samuel L. Jackson tells Gates, “Hollywood can be perceived as racist and sexist, because that’s what audiences have said to them they will pay their money to come see.” Jackson suggests that more African-American directors, producers, and studio executives may help—but what’s really needed are African-American–owned theater chains. Not all of Gates’s interviewees are as familiar as Powell and Jackson; some are millionaires, others gang-members and prisoners. But many share similar ideas about what is needed if the lot of ordinary African-American citizens is to improve.

Provocative and worthwhile.

Pub Date: Jan. 7, 2004

ISBN: 0-446-53273-8

Page Count: 256

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2003

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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THREE WOMEN

Dramatic, immersive, and wanting—much like desire itself.

Based on eight years of reporting and thousands of hours of interaction, a journalist chronicles the inner worlds of three women’s erotic desires.

In her dramatic debut about “what longing in America looks like,” Taddeo, who has contributed to Esquire, Elle, and other publications, follows the sex lives of three American women. On the surface, each woman’s story could be a soap opera. There’s Maggie, a teenager engaged in a secret relationship with her high school teacher; Lina, a housewife consumed by a torrid affair with an old flame; and Sloane, a wealthy restaurateur encouraged by her husband to sleep with other people while he watches. Instead of sensationalizing, the author illuminates Maggie’s, Lina’s, and Sloane’s erotic experiences in the context of their human complexities and personal histories, revealing deeper wounds and emotional yearnings. Lina’s infidelity was driven by a decade of her husband’s romantic and sexual refusal despite marriage counseling and Lina's pleading. Sloane’s Fifty Shades of Grey–like lifestyle seems far less exotic when readers learn that she has felt pressured to perform for her husband's pleasure. Taddeo’s coverage is at its most nuanced when she chronicles Maggie’s decision to go to the authorities a few years after her traumatic tryst. Recounting the subsequent trial against Maggie’s abuser, the author honors the triumph of Maggie’s courageous vulnerability as well as the devastating ramifications of her community’s disbelief. Unfortunately, this book on “female desire” conspicuously omits any meaningful discussion of social identities beyond gender and class; only in the epilogue does Taddeo mention race and its impacts on women's experiences with sex and longing. Such oversight brings a palpable white gaze to the narrative. Compounded by the author’s occasionally lackluster prose, the book’s flaws compete with its meaningful contribution to #MeToo–era reporting.

Dramatic, immersive, and wanting—much like desire itself.

Pub Date: July 9, 2019

ISBN: 978-1-4516-4229-2

Page Count: 320

Publisher: Avid Reader Press

Review Posted Online: May 19, 2019

Kirkus Reviews Issue: June 15, 2019

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