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MONASTERY RIDGE

Name: MONASTERY RIDGE
Author: Henry West
ISBN: 978-0-595-46211-7

: A NOVEL OF THE KOREAN WAR, THE SECOND YEAR

by Henry West ‧ RELEASE DATE: June 13, 2008

A gritty, psychologically acute saga of the Forgotten War.

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American soldiers battle besieging communist hordes–and their demons–in this dark Korean War story.

George Company is the kind of stalwart, unglamorous infantry unit that bore the brunt of Korea’s bloody trench fighting circa 1952. It has a steady commander in Capt. Horace Crayley, a roster of oddball old-timers and a raft of greenhorn replacements who need breaking in. It’s a small, cloistered, intensely close-knit society, and West, a Korean War vet, paints an engrossing portrait of its mores, of the squalid atmospherics of war, including the sordid sex trade carried on across an army camp’s barbed wire perimeter, and of the subtle ways in which soldiers assess the character of the comrades and leaders on whom their lives depend. Into this pressure cooker drops Lt. Ed Clare, a gung-ho officer intent on winning glory for himself no matter the cost in his men’s lives. He’s a symbol of a war that, in West’s grim telling, has lost its rationale as it slouches toward stalemate. Battles are fought to win a few more miles of territory before the armistice talks begin, to advance a general’s career or, in the infantryman’s case, simply to stay alive. All three factors combine in George Company’s next assignment–to hold a strategic outcropping called Monastery Ridge against massive Chinese attacks. When battle comes, West crafts gripping, well-observed battle scenes, contrasting the desperation and chaos of real combat with the tidy heroics of official reports, probing the fraught instant when soldiers’ paralyzing fear gives way to wild exhilaration as they discover what their weapons can do to the enemy. They can do some pretty grisly things–â€œHe pumped a round in, fired and saw one head disappear in a splendid pulpy mush”–and one pities the Chinese as they are slaughtered in heaps by American machine guns, explosives and napalm.

A gritty, psychologically acute saga of the Forgotten War.

Pub Date: June 13, 2008

ISBN: 978-0-595-46211-7

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

Review Program: Kirkus Indie

Categories:

HISTORICAL FICTION | GENERAL FICTION

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WE WERE THE LUCKY ONES

by Georgia Hunter ‧ RELEASE DATE: Feb. 14, 2017

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

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Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

Categories:

RELIGIOUS FICTION | HISTORICAL FICTION

- BOOK TO SCREEN
Hulu’s ‘We Were the Lucky Ones’ Adds To Cast

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MAGIC HOUR

by Kristin Hannah ‧ RELEASE DATE: March 1, 2006

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

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Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.