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Charms and Witches

A fresh if underdeveloped take on fantasy.

Love, loss, and the search for truth abound in Mallette’s (The Last Tragedy: Delvonian Tales, 2015 etc.) latest work of fantasy.

Cirie is a young, beautiful, and headstrong woman desperately trying to claw her way out of debt. Having spent all she had and more trying to save her mentor and friend, Yenni, from a tragic illness, Cirie spends her days crafting undeniably effective charms for the people of Pasallia City to help them ward off dirt, sleep, and the occasional unwanted pregnancy. It’s honest if low-paying work that will keep her mired in debt for years to come. Practical and somewhat guarded after losing Yenni, she is surprised to find herself swept off her feet when a young and handsome traveler wanders into town. The novel follows Cirie and newcomer Lanton as they trade wit and jibes over wine and intricately described games of Wonce, a magical board game. A good deal of the novel is centered on Cirie’s home, the Southward Larch, a tavern and inn where she trades room and board for charms to keep the rooms fresh and clean. The Larch—perhaps the star of the novel—is described in terrific detail, from its rowdy wizard patrons, crowded tables, mounds of delectable dishes, and the colorful family who runs the place. Readers will delight in scenes that play out over the Wonce table and inside quiet inn rooms. Somewhat less developed is the fast-paced novel’s central storyline. The prosaic romance between Lanton and Cirie is rushed and somewhat unbelievable: within days of meeting, Lanton is ready to reveal his darkest secrets and eager for Cirie to run away with him. Despite this, Lanton’s surprising back story adds a new twist to the typical fantasy novel, one that many readers will find refreshing. A few of the novel’s more critical elements, especially its climactic moment, are resolved too quickly and without the detail afforded some of the more minor details, like the game of Wonce.

A fresh if underdeveloped take on fantasy.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: July 9, 2015

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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