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INSIDE STAR TREK

Name: INSIDE STAR TREK
Author: Herbert F. Solow
ISBN: 0-671-89628-8

THE REAL STORY

by Herbert F. Solow & Robert H. Justman ‧ RELEASE DATE: June 1, 1996

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A highly detailed account of the Star Trek phenomenon, written with affection but without zest by two men who were instrumental in the creation and production of that innovative show. Solow was ``responsible for the sale, development and production'' of the series; Justman served as Star Trek's co- producer. Together, they offer a chatty encyclopedia chronicling nearly every aspect of how the show was made. Fans of celebrity gossip will find some interesting (although generally familiar) material. For instance, the book explores, as it must, the brilliant yet flawed character of Star Trek's creator, Gene Roddenberry, and the competition between series stars William Shatner and Leonard Nimoy. But the bulk of this volume concerns the technological and commercial aspects of producing the show. Justman and Solow recount in fervent detail how the lighting, special effects, music, costumes, scripts, and sets of the series were created. Desilu Studios, Star Trek's home, was not a wealthy operation, and the show's first season was an especially harried one. Scenes often had to be reshot because the studio's ancient arc lights popped and squealed. Only a few sets for scenes on alien planets existed; the same props were ingeniously altered for each new show. We learn, as well, about the studio personnel, about the corporate rivalries and in-fighting that typified television production in general and Desilu Studios in particular. (The anecdotes about Lucille Ball are wonderful, as are Solow and Justman's descriptions of the manic day-to-day business of producing a series.) To their credit, the authors are not mean- spirited, rarely pompous, and seldom self-righteous. Unfortunately, the narrative is listless and without a distinctive personality. The bland prose coupled with almost numbing detail make it slow going. Still, despite its flaws, Star Trek completists and fans certainly will want to read this book. (First printing of 75,000)

Pub Date: June 1, 1996

ISBN: 0-671-89628-8

Page Count: 512

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1996

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.