by Herbert Kohl ‧ RELEASE DATE: Nov. 1, 2005
If grade-schoolers are truly equipped to comprehend a past of poll taxes, lynching and institutional hatred in the place of...
Everything you know about Rosa Parks is wrong—unless you’ve been studying with education-reform activist Kohl (A Grain of Poetry, 1999, etc.).
The canonical version of the Parks story is ably represented by an elementary-school textbook published 15 years ago: “One day Rosa was tired. She sat in the front. The bus driver told her to move. She did not. He called the police. Rosa was put in jail.” The account misses one other well-worn trope—that Parks was a poor seamstress. That this is the story schoolchildren—white, black, Asian, Hispanic—know displeases Kohl, who sternly observes (after noting the presumptuousness of calling Mrs. Parks by her first name) that the Montgomery bus boycott that began in December 1955 was the work of African-Americans alone. This is not strictly correct, and Kohl later enlarges the view to include white sympathizers; still, his point that the resistance came from within oppressed communities and grew to embrace others stands. There are many other useful points throughout this reconstruction of events: The author notes, for instance, that Parks was not alone and not even the first to be arrested for resisting the law by which African-Americans had to sit in the “colored-only” (i.e., back) section of Montgomery buses—and then cede those seats to whites should the white section fill up. He adds, too, that Parks was no accidental convert to the cause, moved by tiredness to rebel; in fact, she had long been involved in civil-rights issues and was secretary of the local brach of the NAACP. Kohl proposes a similarly useful alternative narrative, one that does not disguise or whitewash the facts of organized racism.
If grade-schoolers are truly equipped to comprehend a past of poll taxes, lynching and institutional hatred in the place of the current pieties, then Kohl’s lesson plan will serve them well.Pub Date: Nov. 1, 2005
ISBN: 1-59558-020-4
Page Count: 144
Publisher: The New Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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