Half a century after the publication of his first novel—the Harper Prize-winning bestseller Vangel Griffin (1961)—Lobsenz offers his second: a grim fantasia of corporate espionage set in the last days of JFK’s Camelot.
Jake Garrison, the novel’s cynical, rather paranoid protagonist, is a New York-based big-business hatchet man who spends his downtime between assignments being grumpy to wife Diana—an executive for a city publishing firm—and tending to his dying father, an old-time Hell’s Kitchen character he idolizes. Garrulous old Garrison Sr. was once the chief of obstetrics at a Manhattan hospital; now he’s an embittered crank who wants to die—and needs Jake’s help to that end. Jake encounters further frustration in the form of his unfinished, unpublishable novel. When his sleazy business associate, Carnusty, sends Jake to downsize the once-venerable, now failing Kensington typewriter empire—suffering from the onslaught of cheap portable electric models, the visionary advances of MIT and competition from the foreign markets—Jake’s life reaches the crisis point: is Diane carrying his child—or someone else’s? How responsible should he feel for the lives he ruins? And what the hell is Carnusty really up to? Lobsenz deftly sets a bleak tone with passing references to the long, lethal slide precipitated by President Kennedy’s assassination in late 1963 from bright populuxe optimism into the dark social disorder of the Vietnam War era, telegraphed in chillingly casual asides about racism, Kitty Genovese’s murder, unbleached versus bleached flour (“Why does everything depend on how good our pies are?” one female character asks, semirhetorically) and the subsequent rise of the multigenerational dysfunctional family unit as cultural touchstone. Lobsenz bedizens his expertly crafted novel with oblique allegory and a fine catalogue of minutiae regarding early modern typewriters. Implosion is imminent and inevitable, the author makes clear, though the birth of a child suggests that a momentary delay just might be possible. But for how long? Highly recommended for hermetically inclined technophobes and those who prefer their anomie steeped in the (bitter) Sweet Smell of Success over the breezy satire of How to Succeed in Business Without Really Trying.
Pub Date: Oct. 6, 2011
ISBN: 978-1463632892
Page Count: 325
Publisher: CreateSpace
Review Posted Online: Dec. 8, 2011
Review Program: Kirkus Indie
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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