A warm, inspiring book by a man who seems to have little ego despite a career spent near the peak of his art. Recommended...
One of the most innovative and admired jazz musicians of his generation reminisces about his career.
Born in 1940, Hancock grew up in South Side Chicago, the second son of Southerners who came North during the Depression. His parents were of modest means, but when he began playing a neighbor’s piano, they bought a secondhand instrument for him. He quickly showed talent, winning a competition to play a Mozart concerto with the Chicago Symphony at age 11. In high school, Hancock began to play jazz, copying records of the popular pianists of the day. He went to Grinnell College to study engineering; music was too precarious a trade. But after nearly flunking out, he switched to music. A couple of years later, he was gigging in Chicago. Trumpeter Donald Byrd took Hancock under his wing and brought him to New York as a member of his band. Opportunities followed: record sessions, steady work with other bands and a hit record. But the big break was a call from Miles Davis, whose quintet Hancock joined in 1963. This historic band, with Wayne Shorter on sax and Tony Williams on drums, stayed together for five years, and Hancock’s stories of those years are the best in the book. Along the way, he married, traveled the world and began to play electric piano—the first step into a new musical world. After leaving Davis, he began to explore funk, fusion and even hip-hop. He began writing film music, eventually moving to Los Angeles. He also discovered Buddhism, which became a major source of inspiration. Major awards marked his later years, which on the whole highlight a tale of success and fulfillment. The only real low point is an involvement with crack cocaine, which he admits to for the first time in these pages.
A warm, inspiring book by a man who seems to have little ego despite a career spent near the peak of his art. Recommended reading for jazz aficionados.Pub Date: Oct. 28, 2014
ISBN: 978-0670014712
Page Count: 352
Publisher: Viking
Review Posted Online: July 5, 2014
Kirkus Reviews Issue: Aug. 1, 2014
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
