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A recent college graduate with amorphous literary ambitions is taken up by a wealthy artist couple in the first months of the Trump years. As he becomes increasingly entwined in their lives, he finds himself questioning his own allegiances.

With her second novel—following Neon in Daylight (2018)—Hoby returns to a favorite subject: unmoored young New Yorkers enmeshed in other people’s lives. This time, it’s Luca, a 22-year-old intern at a prestigious literary magazine called The New Old World, whose main ambition is to transcend his past as a chubby kid with a single mom from Broomfield, Colorado. “I wanted badly to be good; I wanted desperately to be liked,” he explains, narrating from his perch more than a decade in the future. “It was easy to confuse the two.” This will be the conflict of the novel, although it will take the better part of the next 300 pages for Luca to figure out that he is torn between two opposing poles. At one end, there is Zara, a wildly talented fellow intern, who is both the magazine’s only Black employee and the lone voice against the publication's mealy-mouthed post-election attempt at “resistance.” At the other, there are Jason and Paula, a glamorous couple with loose ties to the magazine who take Luca under their wing. He is transfixed by them, their effortless beauty and easy wealth; that summer, he accepts an invitation to join them at their home in Maine, and this, nearly halfway through the slow-burning, sometimes-florid novel, is where the book takes off. At first, Maine is idyllic, a blissed-out dreamscape of adulthood, but as the weeks pass into months, their relationships begin to show subtle signs of strain. But it is only when tragedy strikes back in New York that the spell is broken and Luca is left to reckon with himself—and choices he hadn’t realized he was making.

A small book about small things that becomes a big book about everything.