A children’s tale full of loopy, good-hearted energy—a fun read.
A ladybug family helps extraterrestrials deliver lifesaving cures to dying kids in this sequel.
In their previous escapade, the Bopper family of ladybugs—Papa Trey, Mama Shelly, and offspring Tribeetleye, Antenny, and Leggy—worked together to fend off an aphid invasion from their citrus-tree home in Missionville, Texas. As the five are celebrating their victory, a spacecraft lands nearby holding aliens from the planet Infinite in the Andromeda galaxy. They’re human-sized, mushroom-shaped, and pearl-colored, and have come to Earth on a peaceful mission. As Capt. Mushroomy explains, the Boppers have demonstrated qualities that make them ideal for a crucial mission: carry the cures for a fatal virus to a children’s hospital and prevent an epidemic. (Humans are too visible and can’t fly.) The Boppers accept the challenge; the cure-equipped microchips are implanted on their abdomens; and the ladybugs (hidden in a peace lily) are delivered to the hospital. One by one, the Boppers allow human ally Dr. Peter Optimum to remove each dose and treat the kids—but then other forces, including a greedy pharmaceutical company and a foreign government (“Crussia”), try to get the cures for themselves. But with some teamwork, alien tech, optimism, and a little song and dance to keep everyone’s spirits up, the good guys have a great chance to triumph. Treviño (Ladybugs on a Mission, 2013) puts together an unusual mix of sci-fi, humor, adventure, and inspiration in her amusing children’s book. Besides that, the story frequently breaks into song, or even tap-dancing musical numbers. The lyrics are generally adapted from existing songs; for example, to the tune of “You Are My Sunshine”: “You are our lighthouse, our only lighthouse. / You make us happy when you show hope.” The novel is gently didactic, promoting virtues like trust, optimism, generosity, courage, and disability inclusiveness. The children’s diverse ethnic, religious, and cultural backgrounds are treated with interest and respect. While the need for ladybugs to deliver the cures never really makes sense, readers probably won’t mind.
A children’s tale full of loopy, good-hearted energy—a fun read.Pub Date: Jan. 28, 2019
ISBN: 978-1-5320-6583-5
Page Count: 210
Publisher: iUniverse
Review Posted Online: Aug. 1, 2019
Review Program: Kirkus Indie
Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)
Pub Date: March 1, 1999
ISBN: 0-590-87175-7
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
Harry Potter–like threads spun into a fresh, enjoyable mix of magic and mystery.
A teenage orphan enters a curious school and encounters mysteries and dangerous secrets in this first installment of a debut YA fantasy series.
Life in Croswald is about to change for 16-year-old orphan Ivy, a lowly castle maid in charge of the kitchen “scaldrons,” oven-heating, fire-breathing dragons. Fleeing the castle after a messy scaldron mishap, Ivy hops a strange conveyance that transports her to a school for potential quill-wielding, spell-casting “scrivenists.” (The author’s creative language—students are “sqwinches,” and “hairies” are lanterns housing fairies with luminous hair—is one of the book’s pleasures.) Learning that there is more to her gift for sketching than she realized, Ivy studies spells and the magical properties of inks and quills, but strange things keep happening. Why is an old scrivenist, long thought dead, working in secret? Why is the head of the oddly familiar school moving paintings to the “Forgetting Room” so that no one will remember they existed? How can Ivy get a look at a certain journal stored there, and what does it have to do with her recurrent dream? And why has Ivy drawn the interest of the Dark Queen of Croswald and her truly fearsome Cloaked Brood? The intrigue is layered with such whimsical inventions as one school lunchroom run by ghostly bad cooks and another by a jester who is best avoided, scrivenists who end their lives as tomes in a library, and small houses pulled by a gargantuan flying beast with its own weather system. Yes, there are many Harry Potter–ish elements: a school for young wand-wielders, quirky shops dealing in enchanted student supplies, eccentric characters, spells gone wrong, an evil pursuer. But Night’s blend of magic, danger, and suspense (and a touch of steampunk) is a well-realized, fresh fantasy world all its own, and Ivy is an appealing protagonist of relatable complexity. A few bobbles: Ivy seems to go without food for long stretches; the use of “effected” rather than “affected”; a professor who is both standing and perched on a chair.
Harry Potter–like threads spun into a fresh, enjoyable mix of magic and mystery.Pub Date: July 21, 2017
ISBN: 978-0-9969486-5-4
Page Count: 320
Publisher: Stories Untold Press
Review Posted Online: June 16, 2017
Kirkus Reviews Issue: July 15, 2017
Review Program: Kirkus Indie
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