bookshelf

OSLER'S WEB

Name: OSLER'S WEB
Author: Hillary Johnson
ISBN: 0-517-70353-X

INSIDE THE LABYRINTH OF THE CHRONIC FATIGUE SYNDROME EPIDEMIC

by Hillary Johnson ‧ RELEASE DATE: March 1, 1996

bookshelf

A relentless, meticulous, and highly persuasive exposÇ by a journalist who spent nine years investigating the medical research establishment's failure to take seriously chronic fatigue syndrome (CFS). Although still frequently trivialized as a yuppie complaint or simply unrecognized, CFS is an infectious disease that can devastate the immune system, attack the brain, and leave its victims physically and emotionally overwhelmed, and it is now many times more widespread than polio was in the early 1950s. Johnson interviewed hundreds of people: CFS patients, physicians treating them, and researchers throughout the country. Scientists at the Centers for Disease Control were generally responsive to her inquiries, she reports; those at the National Institutes of Health were not. Her enormous cast of characters features Dan Peterson and Paul Cheney, physicians at Incline Village, Nev., whose concern about the outbreak in their community eventually led to a hasty CDC investigation; Jon Kaplan and Gary Holmes, CDC epidemiologists cynical about the reality of an illness that did not fit any disease model they were familiar with; Elaine DeFreitas of the Wistar Institute in Philadelphia, whose finding of a new retrovirus in CFS patients could not be replicated by CDC virologists; and Stephen Straus, chief investigator for CFS at the National Institute of Allergy and Infectious Diseases, who has dismissed CFS as a psychiatric disorder for which patients are partly to blame. In a chronology that runs from 1984 to 1994, Johnson crams in fact after telling fact, building up a dismaying picture of a rigid and haughty biomedical research establishment unwilling or unable to respond to the challenge of a multifaceted disease for which, despite recent reports of a possible new treatment, a causative agent has yet to be found. A compelling, well-documented account, certain to be compared to Randy Shilts's And the Band Played On. (Author tour)

Pub Date: March 1, 1996

ISBN: 0-517-70353-X

Page Count: 832

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1995

Categories:

GENERAL NONFICTION

bookshelf

NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

bookshelf

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

bookshelf

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

bookshelf

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.