A collection of dark and clever essays from Buzz magazine's Johnson (Physical Culture, 1989) pumps up L.A. eccentricities with metaphors of the profound. The exotic particularities of life in L.A., often parodied, incorporated in movies, television shows, and sex-and-shopping fiction, are for Johnson the stuff of philosophy and metaphor. As she browses Rodeo Drive she notes that ``it's so easy to scoff at the whorish gilt and gewgaws . . . but I believe it's a seat of consciousness for the same reason that it's awful.'' She muses, as she looks for shoes at Gucci, that ``if Chanel is Bu§uel, Gucci is J.G. Ballard: as fresh as an eroticized car crash in an alternate but highly moral universe.'' Tori Spelling, she suggests, is, in her own way, an icon with as much current resonance as, say, Our Lady of Guadalupe. As part of her attempt to plumb the reality of life in L.A., Johnson touches on some truly outrÇ stuff, including a visit to a Malibu ranch used for shooting porn. And along with each adventure, she includes a meaningful description of her wardrobe and other life artifacts. At the ChÉteau Marmont to interview Esther Williams, she wears ``a fifties cerise cocktail dress with a floaty chiffon train.'' On her first day in L.A., feeling the need for some symbolic statement, she stops at a garage in the suburbs to change into a special flowered dress. The title refers back to Buckminster Fuller's concept of the dymaxion, a self-contained world in which everything that one needs for life is present in a kind of interdependent unity. For Johnson, Los Angeles has been her dymaxion, the place where she learned, she says, not so much to be happy as to be authentic. Johnson is a universe shaper, with a powerful mind careening slightly to self-parody, and a lot of attitude.
Pub Date: June 1, 1997
ISBN: 0-312-15668-5
Page Count: 192
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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