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SUPER VIXENS' DYMAXION LOUNGE

A collection of dark and clever essays from Buzz magazine's Johnson (Physical Culture, 1989) pumps up L.A. eccentricities with metaphors of the profound. The exotic particularities of life in L.A., often parodied, incorporated in movies, television shows, and sex-and-shopping fiction, are for Johnson the stuff of philosophy and metaphor. As she browses Rodeo Drive she notes that ``it's so easy to scoff at the whorish gilt and gewgaws . . . but I believe it's a seat of consciousness for the same reason that it's awful.'' She muses, as she looks for shoes at Gucci, that ``if Chanel is Bu§uel, Gucci is J.G. Ballard: as fresh as an eroticized car crash in an alternate but highly moral universe.'' Tori Spelling, she suggests, is, in her own way, an icon with as much current resonance as, say, Our Lady of Guadalupe. As part of her attempt to plumb the reality of life in L.A., Johnson touches on some truly outrÇ stuff, including a visit to a Malibu ranch used for shooting porn. And along with each adventure, she includes a meaningful description of her wardrobe and other life artifacts. At the ChÉteau Marmont to interview Esther Williams, she wears ``a fifties cerise cocktail dress with a floaty chiffon train.'' On her first day in L.A., feeling the need for some symbolic statement, she stops at a garage in the suburbs to change into a special flowered dress. The title refers back to Buckminster Fuller's concept of the dymaxion, a self-contained world in which everything that one needs for life is present in a kind of interdependent unity. For Johnson, Los Angeles has been her dymaxion, the place where she learned, she says, not so much to be happy as to be authentic. Johnson is a universe shaper, with a powerful mind careening slightly to self-parody, and a lot of attitude.

Pub Date: June 1, 1997

ISBN: 0-312-15668-5

Page Count: 192

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1997

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ALL THE PRESIDENT'S MEN

Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."

Pub Date: June 18, 1974

ISBN: 0671894412

Page Count: 372

Publisher: Simon & Schuster

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: June 1, 1974

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THE LAST OF THE PRESIDENT'S MEN

Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.

Four decades after Watergate shook America, journalist Woodward (The Price of Politics, 2012, etc.) returns to the scandal to profile Alexander Butterfield, the Richard Nixon aide who revealed the existence of the Oval Office tapes and effectively toppled the presidency.

Of all the candidates to work in the White House, Butterfield was a bizarre choice. He was an Air Force colonel and wanted to serve in Vietnam. By happenstance, his colleague H.R. Haldeman helped Butterfield land a job in the Nixon administration. For three years, Butterfield worked closely with the president, taking on high-level tasks and even supervising the installation of Nixon’s infamous recording system. The writing here is pure Woodward: a visual, dialogue-heavy, blow-by-blow account of Butterfield’s tenure. The author uses his long interviews with Butterfield to re-create detailed scenes, which reveal the petty power plays of America’s most powerful men. Yet the book is a surprisingly funny read. Butterfield is passive, sensitive, and dutiful, the very opposite of Nixon, who lets loose a constant stream of curses, insults, and nonsensical bluster. Years later, Butterfield seems conflicted about his role in such an eccentric presidency. “I’m not trying to be a Boy Scout and tell you I did it because it was the right thing to do,” Butterfield concedes. It is curious to see Woodward revisit an affair that now feels distantly historical, but the author does his best to make the story feel urgent and suspenseful. When Butterfield admitted to the Senate Select Committee that he knew about the listening devices, he felt its significance. “It seemed to Butterfield there was absolute silence and no one moved,” writes Woodward. “They were still and quiet as if they were witnessing a hinge of history slowly swinging open….It was as if a bare 10,000 volt cable was running through the room, and suddenly everyone touched it at once.”

Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.

Pub Date: Oct. 13, 2015

ISBN: 978-1-5011-1644-5

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: Oct. 20, 2015

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