by Hillel Zaltzman ‧ RELEASE DATE: N/A
An edifying portal into the perseverance of Jewish culture in the face of attempts to destroy it.
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A debut history that details the plight of a family of Jews who fled from Ukraine to Uzbekistan while pursuing their faith.
Zaltzman was born in Charkov, Ukraine, in 1939, into an environment that was ideologically hostile to religion. During World War II, the Nazis invaded Charkov, and Zaltzman’s family fled to Samarkand, Uzbekistan, already home to a sizable population of friendly Sephardic Bucharian Jews. Still, the Soviet regime remained devoted to eliminating Jewish identity; a special division of the NKVD (Soviet secret police) was assigned the task of destroying Jewish schools, yeshivas, and synagogues. Zaltzman’s father kept him out of the Soviet schools and hid him, teaching him furtively at home, until a neighbor discovered his existence at the age of 9. Zaltzman had no choice but to attend a public school then, but he still observed the demands of his faith and stayed home from school when necessary. In the fourth grade, his attachment to Judaism was discovered, and he was compelled to attend yet another school. His father’s commitment to his chinuch—his Jewish education—was beyond any compromise, and it was an exemplary expression of the Chabad brand of Chassidic Judaism: “The Chabad community was infused with a rich inner world of Chassidic vitality,” Zaltzman writes. At the age of 16, he became involved in an organization, the Chamah, which established a network of underground Jewish schools that clandestinely taught more than 1,500 children over the years. In 1971, he immigrated to Israel. Overall, the author does a remarkable job of vividly depicting the city of Samarkand, which became famous for its tenacious preservation of Jewish customs despite zealous political persecution. It serves as an effective historical study of Jewish life under Communist tyranny, and Zaltzman’s mastery of details of the period is undeniable. The book is long—more than 700 pages—partly because it’s filled with digressive asides and detours, which can be engaging but also fatiguing at times. However, this remembrance’s artful combination of rigorous research and narrative drama makes it seem much shorter that it actually is.
An edifying portal into the perseverance of Jewish culture in the face of attempts to destroy it.Pub Date: N/A
ISBN: 978-0-9894438-2-1
Page Count: 738
Publisher: CreateSpace
Review Posted Online: Nov. 22, 2016
Kirkus Reviews Issue: Jan. 15, 2017
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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