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SELF-INFLICTED WOUNDS

FROM LBJ'S GUNS AND BUTTER TO REAGAN'S VOODOO ECONOMICS

Strong language and strong medicine about the decline of the American economy, but marred by overwrought prose and Monday- morning quarterbacking. Rowen, a columnist for the Washington Post, attributes America's economic decline not to unfair trading practices by Japan or other external factors. It is, he says, a case of ``self- strangulation.'' Rowen examines the men and women who have made economic policy since the Johnson administration. Without attributing any venality (other than perhaps the playing of partisan politics) and admitting that people did the best they could, he nonetheless does assign blame for the low economic state to which the nation has sunk. Emerging from WW II as the only country with an industrial base untouched by war, the US was the most powerful nation on earth. Then, from the mid-1960s to the late 1980s, it went from the world's largest creditor to its largest debtor. Rowen ignores JFK, whom he knew personally and who arguably set in motion events leading to the problems Rowen cites. The current crisis, he argues, was initiated by Johnson's Vietnam adventure, which crippled the Great Society and set up a virulent inflationary cycle in its attempt to have both guns and butter. The blunders of LBJ gave way to Nixon's disastrous wage- and price- control attempts, and the abandonment of the gold standard. Ford and Carter were hamstrung by OPEC and were, according to the author, nothing short of inept. By far his harshest criticism is leveled at Reagan's ``voodoo economics,'' with its vain hope that wealth would trickle down from the top. Rowen also attacks Congress, describing it as spineless. For the future, he says, Americans will have to adjust to the economic rise of Asia, focus on high-tech industries, and become less greedy. Rowen's case is compelling, if not totally convincing. He also gives readers a poignant mini-memoir about the life of a newspaperman covering the powerful.

Pub Date: Aug. 1, 1994

ISBN: 0-8129-1864-9

Page Count: 352

Publisher: Times/Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1994

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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