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WHISTLEBLOWERS

A KATE ADAMS NOVEL

A thoughtfully conceived but frustratingly overcomplicated tale of cyberespionage.

The CIA recruits a college professor to track down a mysterious computer hacker leaking classified information to the public in this thriller. 

Highly sensitive material purloined from National Security Agency computers keeps making its way into the news, much to the embarrassment of the nations targeted. American intelligence agencies are at a loss to uncover any clues and dub the perpetrator “The Executive,” since the kinds of secrets he pilfers are generally restricted to a high level of security clearance. Professor Kate Adams is asked to help the CIA find the cyberthief responsible, which leads her to clandestinely infiltrate the radical group Programmers for Peace and Freedom. She feigns interest in the development of technology for covertly maintaining financial accounts overseas and is invited to reside and work at a commune the organization maintains for its members. The group is an offshoot of another that has its origins in communist agitation during the 1960s but developed into radical anarchists, funded by the illicit trade of drugs and sex on the dark web. Meanwhile, an intramural agency battle over the case brews, pitting the NSA director, Adm. Doug Reynolds, against rival investigative departments, a tug of war that only intensifies after a computer expert reporting directly to Reynolds is murdered. As Adams closes in on the Executive, she is forced to painfully relive her traumatic past working for the CIA, memories that visit her in fits of panic.  Bell (Trading Salvos, 2016) weaves an intricate tapestry of intrigue, intelligently plumbing the bleak depths of international espionage. Furthermore, this sequel is a timely meditation on the morality of large-scale whistleblowing on government, an unpardonable act of treason to some and a courageous show of heroism to others. What keeps readers immersed in the story, though, is the emotional depth of the protagonist; following the attack on the World Trade Center, she was inspired to join the military and became the only female soldier attached to a Delta Force Unit. Readers are slowly, tantalizingly issued details about her painful past—they learn she was kidnapped and tortured, that her husband died, that she was betrayed, and that she was reluctantly drawn into intelligence work and seems resentful of her permanent status as a pliable pawn. In addition, Bell paints a disturbing picture of the competitive dysfunctionality of American intelligence agencies as well as the murky amorality of the internet’s shadiest corners. But while Adams’ complexity grounds the novel, the plot’s convolution undermines it; it becomes increasingly difficult to follow, with far too much laboriously condensed into under 300 pages. Instead of ratcheting up the suspense, the tale’s entanglements produce a feeling of narrative languor, slowing what should be a furious march to a climactic conclusion to a belabored crawl. Thankfully, Bell’s prose is lucid, and she produces some memorable exchanges between Adams and the CIA psychologist who functions as her primary contact to the agency. Early on, he tells her: “You’ve had to build some walls around yourself, I get it, but don’t forget to put in a few windows so you can see beyond them.”

A thoughtfully conceived but frustratingly overcomplicated tale of cyberespionage. 

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Dog Ear Publisher

Review Posted Online: April 14, 2018

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THE MOST FUN WE EVER HAD

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...

Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.

Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.

Pub Date: June 25, 2019

ISBN: 978-0-385-54425-2

Page Count: 544

Publisher: Doubleday

Review Posted Online: March 3, 2019

Kirkus Reviews Issue: March 15, 2019

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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